| Assemble List | |||||
| Sequence: CStyleAssembly060105 | |||||
| Events: | 475 | Picture Conform Method: | A Roll (Single Strand) | Conformed by: | KN Start |
| Dupes: | 2 | Total Footage: | 7562+12 | Running Footage: | 35mm, 4perf |
| Opticals: | 16 | LFOA: | 7562+12 | Durations: | Footage |
| Tracks: | Picture 1 | Total Time: | 01:24:01:24 | Master TC type: | Start |
| Sound Conform Method: | Auxiliary Ink | ||||
| Event | Dupe Group |
Footage | Master TC Start |
Master Duration |
Source Duration |
Key Number | Key Number with Handles |
Start | Lab Roll | Cam Roll | Clip Name | Scene Take |
| 1 | 0213+05 |
01:00:17:12 |
00:00:17:12 |
0026+02 |
Optical #1 | |||||||
| 2 | 0219+05 |
01:00:21:12 |
00:00:03:28 |
0005+15 |
Optical #2 | |||||||
| 3 | 0221+09 |
01:00:22:27 |
00:00:01:13 |
00:00:01:05 |
||||||||
| 4 | 0258+06 |
01:00:47:14 |
00:00:24:15 |
4019+14 |
4020+14 |
05:00:47:08 |
000005 | 606 | Storaro 6 - Technique and Technology? Demonstration with single light bulb, the meaning of light, how it works in different positions | 506/2 | ||
| 5 | 0259+13 |
01:00:48:12 |
00:00:00:27 |
00:00:00:22 |
||||||||
| 6 | 0267+05 |
01:00:53:12 |
00:00:04:28 |
0007+07 |
Optical #3 | |||||||
| 7 | 0268+13 |
01:00:54:12 |
00:00:00:28 |
00:00:00:23 |
||||||||
| 8 | 0291+02 |
01:01:09:09 |
00:00:14:25 |
4119+03 |
4120+03 |
16:12:30:04 |
000007 | W7 | Willis 14 - What is a cin. tk 4 - More succinct | 101/14 | ||
| 9 | 0292+04 |
01:01:10:01 |
00:00:00:21 |
00:00:00:17 |
||||||||
| 10 | 0297+15 |
01:01:13:25 |
00:00:03:23 |
0005+10 |
Optical #4 | |||||||
| 11 | 0299+01 |
01:01:14:17 |
00:00:00:21 |
00:00:00:17 |
||||||||
| 12 | 0311+10 |
01:01:22:29 |
00:00:08:10 |
7421+04 |
7422+04 |
09:37:41:05 |
A29 | Roizman 1 - What do you see as the cinematographer's role in the future? Same as now, have ideas, light and create movement | 214/1 | |||
| 13 | 0312+12 |
01:01:23:21 |
00:00:00:21 |
00:00:00:17 |
||||||||
| 14 | 0318+07 |
01:01:27:15 |
00:00:03:23 |
0005+10 |
Optical #5 | |||||||
| 15 | 0319+09 |
01:01:28:07 |
00:00:00:21 |
00:00:00:17 |
||||||||
| 16 | 0329+10 |
01:01:34:29 |
00:00:06:20 |
9133+13 |
9134+13 |
01:53:46:01 |
U6 | Omens 3 - Style for young filmmakers? Not enough to borrow, has to come from within ****Hopper example, on the edge of frame, fool to try and recreate | 3/3 | |||
| 17 | 0330+12 |
01:01:35:21 |
00:00:00:21 |
00:00:00:17 |
||||||||
| 18 | 0335+15 |
01:01:39:05 |
00:00:03:13 |
0005+02 |
Optical #6 | |||||||
| 19 | 0337+01 |
01:01:39:27 |
00:00:00:21 |
00:00:00:17 |
||||||||
| 20 | 0347+06 |
01:01:46:24 |
00:00:06:25 |
6554+04 |
6555+04 |
04:06:30:16 |
U17 | Laszlo 6 - Where do the ideas come from? Some come from experience, some accidents, subway story about the light | 8/6 | |||
| 21 | 0348+08 |
01:01:47:16 |
00:00:00:21 |
00:00:00:17 |
||||||||
| 22 | 0353+11 |
01:01:51:00 |
00:00:03:13 |
0005+02 |
Optical #7 | |||||||
| 23 | 0354+13 |
01:01:51:22 |
00:00:00:21 |
00:00:00:17 |
||||||||
| 24 | 0364+02 |
01:01:57:29 |
00:00:06:05 |
4337+12 |
4338+12 |
14:28:24:01 |
Edlund 7 - Dgital pt. 2, Look at how NTSC has evolved over the years, improved with age, etc, love film, grew up with the smell on hands, but film is like a Sumo, some times you get thrown out ring, digital is easier | |||||
| 25 | 0365+09 |
01:01:58:27 |
00:00:00:27 |
00:00:00:22 |
||||||||
| 26 | 0370+13 |
01:02:02:12 |
00:00:03:13 |
0005+03 |
Optical #8 | |||||||
| 27 | 0371+15 |
01:02:03:05 |
00:00:00:21 |
00:00:00:17 |
||||||||
| 28 | 0386+14 |
01:02:13:04 |
00:00:09:28 |
4981+02 |
4982+02 |
16:11:16:23 |
CU-39 | Deschanel 3 - Where start? cont'd: delve deep, subconscious, to visually represet story, once familiar look at paintings, then talk to director, wait to talk, meeting of minds, greatest collaboration in art form directors - DPs | 620/3 | |||
| 29 | 0388+00 |
01:02:13:26 |
00:00:00:21 |
00:00:00:17 |
||||||||
| 30 | 0392+02 |
01:02:16:19 |
00:00:02:22 |
0004+01 |
Optical #9 | |||||||
| 31 | 0393+04 |
01:02:17:11 |
00:00:00:21 |
00:00:00:17 |
||||||||
| 32 | 0402+14 |
01:02:23:24 |
00:00:06:12 |
7678+14 |
7679+14 |
11:38:37:20 |
Schreiber 1 - Style cont'd. Doesn't like it when DPs get pidgeon-holed as action or story, etc. Tries to make every film individual. | |||||
| 33 | 0404+00 |
01:02:24:16 |
00:00:00:21 |
00:00:00:17 |
||||||||
| 34 | 0410+15 |
01:02:29:05 |
00:00:04:18 |
0006+14 |
Optical #10 | |||||||
| 35 | 0412+01 |
01:02:29:27 |
00:00:00:21 |
00:00:00:17 |
||||||||
| 36 | 0428+12 |
01:02:41:01 |
00:00:11:02 |
9159+11 |
9160+11 |
10:36:19:18 |
Daviau 1 | |||||
| 37 | 0430+04 |
01:02:42:01 |
00:00:00:29 |
00:00:00:23 |
||||||||
| 38 | 0437+00 |
01:02:46:16 |
00:00:04:14 |
0006+11 |
Optical #11 | |||||||
| 39 | 0441+02 |
01:02:49:09 |
00:00:02:22 |
00:00:02:05 |
||||||||
| 40 | 0443+15 |
01:02:51:05 |
00:00:01:25 |
4108+06 |
4109+06 |
16:08:06:09 |
Adefarasin 1 | |||||
| 41 | 1 | 0445+07 |
01:02:52:05 |
00:00:00:29 |
09:22:09:14 |
A28 | Alsobrook 1 (MISSING KN) | 213/1 | ||||
| 42 | 0446+15 |
01:02:53:05 |
00:00:00:29 |
4489+14 |
4490+14 |
15:48:56:18 |
H Anderson Jr 1 | |||||
| 43 | 0449+07 |
01:02:54:25 |
00:00:01:19 |
4974+05 |
4975+05 |
16:02:04:20 |
H Anderson III 1 | |||||
| 44 | 0451+01 |
01:02:55:27 |
00:00:01:01 |
9473+06 |
9474+06 |
11:05:12:08 |
CU-11 | Anderson Peter 1 - Name only ASC | 607/1 | |||
| 45 | 0452+15 |
01:02:57:05 |
00:00:01:06 |
0900+14 |
0901+14 |
05:18:27:18 |
C1/1- Ballhaus Interview | C1/1 | ||||
| 46 | 0454+03 |
01:02:58:00 |
00:00:00:24 |
8027+10 |
8028+10 |
02:55:05:18 |
U12 | Beebe 1 | 7/1 | |||
| 47 | 0455+08 |
01:02:58:26 |
00:00:00:25 |
7026+00 |
7027+00 |
04:00:34:00 |
A1 | Bennett 1 | 101/1 | |||
| 48 | 0467+14 |
01:03:07:04 |
00:00:08:07 |
5471+06 |
5472+06 |
06:36:22:28 |
14 | Beristain 1 | 203/1 | |||
| 49 | 0469+03 |
01:03:08:00 |
00:00:00:25 |
9433+11 |
9434+11 |
08:49:35:14 |
Bridges 1 | |||||
| 50 | 0470+08 |
01:03:08:26 |
00:00:00:25 |
6988+12 |
6989+12 |
19:32:39:25 |
CU-58 | Brown Jonathan 1 - Name Only | 628/1 | |||
| 51 | 0473+07 |
01:03:10:25 |
00:00:01:28 |
9011+10 |
9012+10 |
01:10:52:23 |
U2 | Burum 1 | 2/1 | |||
| 52 | 0474+08 |
01:03:11:16 |
00:00:00:20 |
6031+07 |
6032+07 |
02:34:14:26 |
U10 | Butler 1 | 6/1 | |||
| 53 | 0475+07 |
01:03:12:05 |
00:00:00:18 |
7388+08 |
7389+08 |
13:35:32:20 |
CU-25 | Byrne 1 - Name Only | 614/1 | |||
| 54 | 0477+03 |
01:03:13:10 |
00:00:01:04 |
8006+03 |
8007+03 |
17:35:51:09 |
CU-47 | Carpenter 1 - Russel Carpeter | 623/1 | |||
| 55 | 0478+05 |
01:03:14:02 |
00:00:00:21 |
4149+13 |
4150+13 |
10:37:17:10 |
Chressanthis 1 | |||||
| 56 | 0479+08 |
01:03:14:26 |
00:00:00:22 |
5651+11 |
5652+11 |
16:45:34:13 |
Collister 1 | |||||
| 57 | 0480+14 |
01:03:15:24 |
00:00:00:27 |
4024+04 |
4025+04 |
09:46:59:11 |
Cooperman 1 | |||||
| 58 | 0482+00 |
01:03:16:16 |
00:00:00:21 |
9281+15 |
9282+15 |
20:14:12:29 |
CU-61 | Core 1 - Name only | 630/1 | |||
| 59 | 0483+06 |
01:03:17:14 |
00:00:00:27 |
8230+06 |
8231+06 |
08:36:12:28 |
24 | Crudo 1 | 210/1 | |||
| 60 | 0484+08 |
01:03:18:06 |
00:00:00:21 |
6991+13 |
6992+13 |
12:08:54:13 |
Cundey 1 | |||||
| 61 | 0485+09 |
01:03:18:27 |
00:00:00:20 |
7514+15 |
7515+15 |
07:24:47:15 |
U34 | Curtis 1 | 18/1 | |||
| 62 | 0488+13 |
01:03:21:02 |
00:00:02:03 |
9012+11 |
9013+11 |
10:34:41:18 |
Daviau 1 | |||||
| 63 | 0490+03 |
01:03:22:00 |
00:00:00:26 |
8003+09 |
8004+09 |
04:22:35:21 |
U19 | Deakins 1 | 9/1 | |||
| 64 | 0491+08 |
01:03:22:26 |
00:00:00:25 |
6660+04 |
6661+04 |
09:29:03:15 |
CU-3 | Deming 1 - Peter Deming | 603/1 | |||
| 65 | 0492+15 |
01:03:23:25 |
00:00:00:28 |
4660+06 |
4661+06 |
16:07:48:23 |
CU-38 | Deschanel 2 - Name and Title again | 620/2 | |||
| 66 | 0493+04 |
01:03:24:01 |
00:00:00:05 |
0000+04 |
Optical #12 | |||||||
| 67 | 0494+07 |
01:03:24:25 |
00:00:00:23 |
6083+12 |
6084+12 |
08:19:54:19 |
Dexter 2 | |||||
| 68 | 0495+09 |
01:03:25:17 |
00:00:00:21 |
9026+12 |
9027+12 |
05:00:18:11 |
U22 | Dill 1 | 10/1 | |||
| 69 | 0497+08 |
01:03:26:26 |
00:00:01:07 |
07:50:59:18 |
31 | Dibie 1 | 216/1 | |||||
| 70 | 0498+14 |
01:03:27:24 |
00:00:00:27 |
8703+09 |
8704+09 |
17:23:44:20 |
E Dickerson 1 | |||||
| 71 | 0500+06 |
01:03:28:24 |
00:00:00:29 |
8001+14 |
8002+14 |
14:02:11:19 |
Edlund 1 | |||||
| 72 | 0501+14 |
01:03:29:24 |
00:00:00:29 |
7498+06 |
7499+06 |
07:46:22:11 |
U36 | Fauer 1 | 20/1 | |||
| 73 | 0503+06 |
01:03:30:24 |
00:00:00:29 |
4312+13 |
4313+13 |
10:16:47:15 |
Fauntleroy 1 | |||||
| 74 | 0504+10 |
01:03:31:19 |
00:00:00:24 |
4404+02 |
4405+02 |
14:36:43:13 |
Fierberg 2 | |||||
| 75 | 0506+03 |
01:03:32:20 |
00:00:01:00 |
7261+11 |
7262+11 |
07:14:19:24 |
A17 | Fraker 1 | 205/1 | |||
| 76 | 0508+01 |
01:03:33:27 |
00:00:01:06 |
7273+05 |
7274+05 |
08:14:28:06 |
22 | Goi 1 | 208/1 | |||
| 77 | 0510+03 |
01:03:35:10 |
00:00:01:11 |
7409+12 |
7410+12 |
06:23:56:06 |
U29 | Goldblatt 1 | 14/1 | |||
| 78 | 0511+08 |
01:03:36:06 |
00:00:00:25 |
5978+11 |
5979+11 |
15:05:56:25 |
Green 4 | |||||
| 79 | 0513+03 |
01:03:37:10 |
00:00:01:03 |
3965+14 |
3966+14 |
11:22:22:08 |
CU-13 | Greenberg 1 - Name Only | 608/1 | |||
| 80 | 0515+11 |
01:03:39:00 |
00:00:01:19 |
3963+06 |
3964+06 |
07:00:10:28 |
A16 | Greenberg 1 | 204/1 | |||
| 81 | 0517+13 |
01:03:40:12 |
00:00:01:11 |
8003+08 |
8004+08 |
18:33:39:25 |
CU-53 | Hofman 1 | 625/1 | |||
| 82 | 0519+06 |
01:03:41:14 |
00:00:01:00 |
9012+00 |
9013+00 |
15:06:36:28 |
Holzman 1 | |||||
| 83 | 0520+13 |
01:03:42:12 |
00:00:00:27 |
6178+02 |
6179+02 |
15:19:41:06 |
Hubbs 1 | |||||
| 84 | 0522+05 |
01:03:43:12 |
00:00:00:28 |
8015+15 |
8016+15 |
05:55:39:29 |
U27 | Irola 2 | 12/2 | |||
| 85 | 0524+00 |
01:03:44:16 |
00:00:01:02 |
9010+02 |
9011+02 |
10:21:48:13 |
CU-8 | Irwin 1 - Name Only | 605/1 | |||
| 86 | 0525+09 |
01:03:45:17 |
00:00:01:00 |
4116+13 |
4117+13 |
15:01:53:16 |
CU-33 | Isaacks 2 | 616/2 | |||
| 87 | 0526+12 |
01:03:46:11 |
00:00:00:22 |
4318+07 |
4319+07 |
13:41:29:15 |
Jensen 1 | |||||
| 88 | 0528+12 |
01:03:47:21 |
00:00:01:09 |
9023+08 |
9024+08 |
08:22:37:20 |
23 | Kemper 1 | 209/1 | |||
| 89 | 0530+07 |
01:03:48:25 |
00:00:01:03 |
5585+14 |
5586+14 |
07:36:28:11 |
U35 | Kenney 1 | 19/1 | |||
| 90 | 0531+11 |
01:03:49:20 |
00:00:00:24 |
6448+10 |
6449+10 |
11:38:32:03 |
CU-14 | Kline 1 - Name Only | 609/1 | |||
| 91 | 0533+09 |
01:03:50:27 |
00:00:01:06 |
4526+02 |
4527+02 |
09:38:51:23 |
CU-4 | Koenekamp 1 - Name only tk 2 | 604/1 | |||
| 92 | 0540+01 |
01:03:55:07 |
00:00:04:08 |
4975+04 |
4976+04 |
09:44:07:05 |
A30 | 215/1-A30 Kovaks | 215/1 | |||
| 93 | 0542+10 |
01:03:56:29 |
00:00:01:20 |
5345+12 |
5346+12 |
07:00:43:05 |
U32 | Kuras 1 | 17/1 | |||
| 94 | 0544+09 |
01:03:58:07 |
00:00:01:07 |
4990+04 |
4991+04 |
11:30:35:19 |
Laskus 1 | |||||
| 95 | 0546+11 |
01:03:59:20 |
00:00:01:11 |
8004+00 |
8005+00 |
03:29:30:18 |
U15 | Laszlo 1 | 8/1 | |||
| 96 | 0548+09 |
01:04:00:27 |
00:00:01:06 |
4014+11 |
4015+11 |
13:40:31:05 |
Lenoir 2 | |||||
| 97 | 0549+15 |
01:04:01:25 |
00:00:00:26 |
4445+13 |
4446+13 |
20:48:26:21 |
CU-64 | Leonetti 1 -Matt Leonetti | 632/1 | |||
| 98 | 0551+01 |
01:04:02:17 |
00:00:00:21 |
6278+05 |
6279+05 |
15:37:34:21 |
Levy 1 - Name and title | |||||
| 99 | 0552+08 |
01:04:03:16 |
00:00:00:27 |
4044+14 |
4045+14 |
18:25:39:20 |
Libatique 1 - Name Only | |||||
| 100 | 0554+02 |
01:04:04:19 |
00:00:01:02 |
6403+03 |
6404+03 |
14:07:17:10 |
Lighthill 1 | |||||
| 101 | 0556+02 |
01:04:05:29 |
00:00:01:09 |
5732+10 |
5733+10 |
11:04:01:23 |
Lindenlaub 1 | |||||
| 102 | 0557+07 |
01:04:06:25 |
00:00:00:25 |
7628+00 |
7629+00 |
16:47:31:04 |
Logan 1 | |||||
| 103 | 0559+03 |
01:04:08:00 |
00:00:01:04 |
5634+12 |
5635+12 |
15:18:28:25 |
CU-34 | Macat 1 | 618/1 | |||
| 104 | 0562+02 |
01:04:09:29 |
00:00:01:28 |
6383+01 |
6384+01 |
10:30:43:00 |
Mankofsky 1 | |||||
| 105 | 0563+06 |
01:04:10:24 |
00:00:00:24 |
3955+03 |
3956+03 |
16:43:40:04 |
CU-42 | Manley 1 - Name only | 621/1 | |||
| 106 | 0564+10 |
01:04:11:19 |
00:00:00:24 |
9477+02 |
9478+02 |
19:48:48:28 |
CU-59 | Mason 1 - Name only | 629/1 | |||
| 107 | 0566+02 |
01:04:12:19 |
00:00:00:29 |
6418+00 |
6419+00 |
12:26:15:25 |
CU-18 | Mathis 1 - Name only | 610/1 | |||
| 108 | 0567+05 |
01:04:13:12 |
00:00:00:22 |
5611+15 |
5612+15 |
15:18:18:04 |
CU-34 | McCuaig 4 - Name again | 617/4 | |||
| 109 | 0568+10 |
01:04:14:09 |
00:00:00:25 |
5982+00 |
5983+00 |
18:09:25:20 |
CU-50 | McLachlan 1 - Name only | 624/1 | |||
| 110 | 0569+07 |
01:04:14:25 |
00:00:00:15 |
8455+13 |
8456+13 |
13:25:13:11 |
CU-24 | Minsky 1 - Chuck Minsky | 613/1 | |||
| 111 | 0571+06 |
01:04:16:04 |
00:00:01:08 |
8492+07 |
8493+07 |
06:35:30:13 |
U30 | Morgan 1 | 15/1 | |||
| 112 | 0573+00 |
01:04:17:06 |
00:00:01:01 |
4427+01 |
4428+01 |
20:48:19:16 |
CU-64 | Morgenthau 2 - My name is Kramer Morgenthau | 631/2 | |||
| 113 | 0574+04 |
01:04:18:01 |
00:00:00:24 |
4978+12 |
4979+12 |
13:09:13:00 |
CU-23 | Mullen 1 - Name Only | 612/1 | |||
| 114 | 0575+06 |
01:04:18:24 |
00:00:00:22 |
9845+00 |
9846+00 |
17:31:23:28 |
Murphy 1 - Name and title | |||||
| 115 | 0577+06 |
01:04:20:04 |
00:00:01:09 |
5037+03 |
5038+03 |
14:24:45:01 |
Narita 2 | |||||
| 116 | 0578+11 |
01:04:21:00 |
00:00:00:25 |
9027+15 |
9028+15 |
18:02:34:09 |
M Negrin 1 | |||||
| 117 | 0580+07 |
01:04:22:05 |
00:00:01:04 |
8013+02 |
8014+02 |
01:00:15:08 |
U1 | Negrin 1 | 1/1 | |||
| 118 | 0581+10 |
01:04:22:29 |
00:00:00:23 |
6490+01 |
6491+01 |
09:05:48:21 |
A25 | Okada 2 | 211/2 | |||
| 119 | 0582+12 |
01:04:23:21 |
00:00:00:21 |
5987+13 |
5988+13 |
01:41:21:21 |
U5 | Omens 1 | 3/1 | |||
| 120 | 0583+14 |
01:04:24:14 |
00:00:00:22 |
6988+03 |
6989+03 |
07:41:23:04 |
A20 | Pearl 1 | 207/1 | |||
| 121 | 0585+15 |
01:04:25:25 |
00:00:01:10 |
5549+06 |
5550+06 |
06:47:32:13 |
U31 | Pearlstein 1 | 16/1 | |||
| 122 | 0587+05 |
01:04:26:22 |
00:00:00:26 |
4970+06 |
4971+06 |
01:11:14:28 |
CU-66 | Pfister - 1 - Name Only | 633/1 | |||
| 123 | 0588+05 |
01:04:27:12 |
00:00:00:18 |
8174+12 |
8175+12 |
09:12:51:25 |
CU-2 | Pope 1 - Name Only | 602/1 | |||
| 124 | 0589+15 |
01:04:28:15 |
00:00:01:01 |
9042+04 |
9043+04 |
07:22:50:05 |
A18 | Poster 1 | 206/1 | |||
| 125 | 0591+01 |
01:04:29:07 |
00:00:00:21 |
7313+07 |
7314+07 |
09:21:37:29 |
Primes 1 | |||||
| 126 | 0593+11 |
01:04:31:00 |
00:00:01:21 |
8000+04 |
8001+04 |
05:33:28:25 |
A8 | Richmond 1 | 108/1 | |||
| 127 | 0595+07 |
01:04:32:05 |
00:00:01:04 |
7286+00 |
7287+00 |
09:36:11:00 |
A29 | Roizman 1 | 214/1 | |||
| 128 | 0596+08 |
01:04:32:26 |
00:00:00:20 |
8230+06 |
8231+06 |
12:45:41:28 |
CU-21 | Romano - 1 - Pete Ramano | 611/1 | |||
| 129 | 0597+13 |
01:04:33:22 |
00:00:00:25 |
6356+04 |
6357+04 |
12:02:19:09 |
Ryan 1 | |||||
| 130 | 0599+05 |
01:04:34:22 |
00:00:00:28 |
7297+08 |
7298+08 |
11:34:23:13 |
Schreiber 1 | |||||
| 131 | 0601+00 |
01:04:35:26 |
00:00:01:02 |
5109+05 |
5110+05 |
15:49:18:24 |
Schwartzman 1 | |||||
| 132 | 0602+08 |
01:04:36:26 |
00:00:00:29 |
5978+04 |
5979+04 |
17:06:07:15 |
CU-44 | Seale 1 - My Name is John Seale | 622/1 | |||
| 133 | 0603+10 |
01:04:37:19 |
00:00:00:22 |
6270+00 |
6271+00 |
06:11:22:06 |
U28 | Semmler 1 | 13/1 | |||
| 134 | 0606+13 |
01:04:39:22 |
00:00:02:02 |
5878+14 |
5879+14 |
12:30:44:18 |
091232 | Seresin 11 - Name only | 119/ | |||
| 135 | 0608+01 |
01:04:40:17 |
00:00:00:23 |
5995+01 |
5996+01 |
08:07:25:06 |
U38 | Shaw 1 | 21/1 | |||
| 136 | 0615+00 |
01:04:45:06 |
00:00:04:17 |
8024+15 |
8025+15 |
09:06:40:11 |
Sigel 1 | SIGEL/1 | ||||
| 137 | 0616+06 |
01:04:46:04 |
00:00:00:27 |
7495+06 |
7496+06 |
18:50:15:23 |
CU-54 | Six 1 - Name Only | 626/1 | |||
| 138 | 0617+12 |
01:04:47:01 |
00:00:00:26 |
8288+01 |
8289+01 |
15:36:31:21 |
CU-36 | Spinotti - 1 - Name Only | 619/1 | |||
| 139 | 0619+02 |
01:04:47:29 |
00:00:00:27 |
3960+01 |
3961+01 |
10:04:37:00 |
Steiger 1 | |||||
| 140 | 0620+15 |
01:04:49:05 |
00:00:01:05 |
9207+00 |
9208+00 |
05:24:32:25 |
U24 | Stern 1 | 11/1 | |||
| 141 | 0628+11 |
01:04:54:10 |
00:00:05:04 |
5114+06 |
5115+06 |
01:01:38:08 |
000001 | 602 | Storaro 1 | 501/1 | ||
| 142 | 0630+05 |
01:04:55:12 |
00:00:01:01 |
4990+08 |
4991+08 |
09:00:03:25 |
CU-1 | Taylor 1 - Name only | 601/1 | |||
| 143 | 0633+05 |
01:04:57:12 |
00:00:01:28 |
5006+06 |
5007+06 |
16:33:36:15 |
Toll 1 | |||||
| 144 | 0634+11 |
01:04:58:10 |
00:00:00:26 |
4196+08 |
4197+08 |
08:50:15:29 |
Van Oostrum 1 | |||||
| 145 | 0636+04 |
01:04:59:11 |
00:00:01:00 |
4980+02 |
4981+02 |
15:04:37:19 |
Vincent 1 | |||||
| 146 | 0638+13 |
01:05:01:02 |
00:00:01:20 |
9042+09 |
9043+09 |
13:50:17:01 |
CU-27 | Wexler - 2 - Name only | 615/2 | |||
| 147 | 0640+10 |
01:05:02:09 |
00:00:01:05 |
7032+10 |
7033+10 |
15:00:35:03 |
000001 | W1 | Willis 1 - Name only | 101/1 | ||
| 148 | 0642+08 |
01:05:03:16 |
00:00:01:06 |
4755+15 |
4756+15 |
10:41:46:09 |
CU-9 | Woolsey 1 | 606/1 | |||
| 149 | 0643+09 |
01:05:04:07 |
00:00:00:20 |
8500+02 |
8501+02 |
19:16:40:28 |
CU-56 | Yeoman 1 - Name only | 627/1 | |||
| 150 | 0648+11 |
01:05:07:20 |
00:00:03:11 |
5254+13 |
5255+13 |
11:23:18:29 |
Zsigmond 2 | |||||
| 151 | 0652+10 |
01:05:10:09 |
00:00:02:18 |
00:00:02:02 |
||||||||
| 152 | 0672+05 |
01:05:23:12 |
00:00:13:02 |
5010+14 |
5011+14 |
03:40:46:18 |
U16 | Lazslo 4 - Student's will ask, how did you become a cinematographyer | 8/4 | |||
| 153 | 0693+02 |
01:05:37:09 |
00:00:13:25 |
8032+07 |
8033+07 |
04:22:54:29 |
U19 | Deakins 1 - How did you become a cinematographer? Art college, film school, stills, etc. | 9/1 | |||
| 154 | 0711+13 |
01:05:49:22 |
00:00:12:12 |
9068+00 |
9069+00 |
07:23:07:10 |
A18 | Poster 1 - How did you become a DP? At 14 I met a cinematographer and that day I decided that's what I want to do for the rest of my life | 206/1 | |||
| 155 | 0725+13 |
01:05:59:02 |
00:00:09:08 |
9029+02 |
9030+02 |
10:34:52:16 |
Daviau 1 - How did you become DP? Saw color TV in LA for the first time on in LA, went to all the TV stations and then eventually gate crashed the studios asking questions | |||||
| 156 | 0738+01 |
01:06:07:07 |
00:00:08:03 |
4723+11 |
4724+11 |
16:08:30:29 |
CU-38 | Deschanel 2 - Career start? Johns Hopkins undergrad, interested photography, edited paper, Matthew Robbins, Wlater Murch, went to film school, no hope, unless knew people, USC, Educational film houses, Carole ballard, commericals | 620/2 | |||
| 157 | 0740+13 |
01:06:09:02 |
00:00:01:23 |
7295+15 |
7296+15 |
09:36:17:19 |
A29 | Roizman 1 - How did you become a DP? Went to schoold for math and physics, afterschool thought about being a teacher, found out how much they made, asked his father (DP) how much they made, and made up mind | 214/1 | |||
| 158 | 0742+14 |
01:06:10:14 |
00:00:01:10 |
4996+02 |
4997+02 |
16:02:19:06 |
H Anderson III 1 - How did you get where you are today? Born into it, started in highshcool then in college working part time, then full time after UCLA | |||||
| 159 | 0746+01 |
01:06:12:17 |
00:00:02:02 |
8529+00 |
8530+00 |
06:35:54:24 |
U30 | Morgan 1 - How did you become DP? Dad was animation cameraman, boring, worked in labs, then met Tyler, started working on aerials | 15/1 | |||
| 160 | 0759+11 |
01:06:21:20 |
00:00:09:01 |
7630+01 |
7631+01 |
14:40:16:23 |
Green 1 - Becoming a DP? Grad. from barber col. and HS within 10 days, cut hair 7 years, father had bathroom darkroom, loved stills, met a cameraman in SF, did AC work, part time and then full time | |||||
| 161 | 0780+12 |
01:06:35:21 |
00:00:14:00 |
7075+08 |
7076+08 |
15:01:03:20 |
000001 | W1 | Willis 1 - Becoming a DP? Family was in buis. father did makeup at WB, thought wanted to be an actor, stills, Airforce, docs, joined union | 101/1 | ||
| 162 | 0793+10 |
01:06:44:09 |
00:00:08:17 |
7337+13 |
7338+13 |
07:15:10:16 |
A17 | Fraker 1 - How did you become a DP? My grandmother was a teacher in Mazatlan, left during revolution, came to LA to work at Monroe studios, worked during school developing glass plates | 205/1 | |||
| 163 | 0802+14 |
01:06:50:14 |
00:00:06:04 |
5495+03 |
5496+03 |
06:36:38:24 |
14 | Beristain 1 - How did you become a DP? Coming from Mexico, going to Europe the only language to speak was the language of images, working his way to becoming DP | 203/1 | |||
| 164 | 0836+10 |
01:07:12:29 |
00:00:22:14 |
7466+09 |
7467+09 |
07:16:36:11 |
A17 | Fraker 1 - Becoming a DP cont'd - Mother and aunt were both extras, mother said you're going to be a DP because they are the most respected on the set, wear ties, war, GI bill, USC**** | 205/1 | |||
| 165 | 0852+07 |
01:07:23:15 |
00:00:10:15 |
7663+14 |
7664+14 |
14:40:39:09 |
Green 1 - Becoming a DP? Grad. from barber col. and HS within 10 days, cut hair 7 years, father had bathroom darkroom, loved stills, met a cameraman in SF, did AC work, part time and then full time | |||||
| 166 | 0856+03 |
01:07:26:00 |
00:00:02:14 |
7515+00 |
7516+00 |
18:50:28:25 |
CU-54 | Six 1 - Becoming DP? After HS,job in mail-room at Warner's, Father was in portrait gal., loaded mags at night for free, WB shut down, went to Fox, asst. head camera Dept, go to sets, ask to help, learn eveything | 626/1 | |||
| 167 | 0858+09 |
01:07:27:17 |
00:00:01:16 |
7399+15 |
7400+15 |
11:35:31:21 |
Schreiber 1 - How did you become a DP? UofM, Art Major, underground films, moved to NY, answered ad in Vil. Voice, worked in elec. dept. Gaffer took an interest in teaching | |||||
| 168 | 0868+08 |
01:07:34:06 |
00:00:06:17 |
9308+09 |
9309+09 |
20:14:30:21 |
CU-61 | Core 1 - How did you become a DP? Father was a painter/sculptor, went to Art center, saw Kurosawa's Ran, decided that's what he wanted to do. | 630/1 | |||
| 169 | 0877+03 |
01:07:40:00 |
00:00:05:23 |
4415+09 |
4416+09 |
10:19:09:11 |
Fauntleroy 2 - Becoming a DP, tk. 2? Picked up camera in HS in SoCal, course, had always played sports but couldn't draw or paint, but when I picked up the camera, I could paint | |||||
| 170 | 0880+10 |
01:07:42:09 |
00:00:02:08 |
4814+15 |
4815+15 |
10:42:25:19 |
CU-9 | Woolsey 1 - Becoming a DP? Sortof mushroomed all by itself, working in photolab in Minnesota at the university, spending more time there then on the curriculum | 606/1 | |||
| 171 | 0883+15 |
01:07:44:15 |
00:00:02:05 |
7546+12 |
7547+12 |
08:17:30:15 |
22 | Goi 1 - What is your background? Grew up in Chicago, went to Columbia Col. Taught there for 3 years, worked on docs, and then commercials to pay the bills before coming to LA | 208/1 | |||
| 172 | 0885+14 |
01:07:45:24 |
00:00:01:08 |
4980+05 |
4981+05 |
09:44:10:16 |
A30 | Kovaks 1 - How he came to US, with Vilmos, shooting film, and working in Hollywood | 215/1 | |||
| 173 | 0887+03 |
01:07:46:20 |
00:00:00:25 |
6326+15 |
6327+15 |
15:38:07:04 |
Levy 1 - Where are you from? From Sydney, Aus. school there called Commonwealth Film Unit, started out as a freelance, in 1988, came to US to shoot Nightmare on Elm st. 5 | |||||
| 174 | 0889+10 |
01:07:48:09 |
00:00:01:18 |
4638+08 |
4639+08 |
15:51:14:08 |
H Anderson Jr 2 - From LA? Born on 33rd st. lived in culver city between MGM and Thomas Ince Studio, right in the middle of the movie business | |||||
| 175 | 0891+06 |
01:07:49:14 |
00:00:01:04 |
8907+08 |
8908+08 |
18:43:41:25 |
CU-53 | Hofman 2 | 625/2 | |||
| 176 | 0893+05 |
01:07:50:22 |
00:00:01:07 |
5034+15 |
5035+15 |
16:33:55:17 |
Toll 1 - Becoming a DP? Did stills as a kid, went to school in LA, worked in David Wolper's doc. co., PA, then AC, Op. then DP | |||||
| 177 | 0895+09 |
01:07:52:07 |
00:00:01:13 |
6243+14 |
6244+14 |
11:36:22:03 |
CU-14 | Greenberg 3 - How did you get in the business? Had 3 cousins in Poland in business, worked in lab, then shooting and newsreels, great experience, didn't go to school, everything you need to learn is in a DVD, don't waste years in school | 608/3 | |||
| 178 | 0897+13 |
01:07:53:22 |
00:00:01:13 |
9561+15 |
9562+15 |
11:06:10:24 |
CU-11 | Anderson Peter 2 - How did you get started? 7yrs old, working for schools, churches, local TV station, university football games, wokring in a local lab, etc. | 607/2 | |||
| 179 | 0906+00 |
01:07:59:06 |
00:00:05:12 |
8411+04 |
8412+04 |
15:37:53:25 |
CU-36 | Spinotti - 1 - Start career? lived in remote Italy, not good in high school, Uncle cienmatographer, hero, gave first camera, Kenya - work w/ Uncle, carpentry, boom, newsreel, UPI, docs, shot with big Mitchell, read Uncle subscrip of AC | 619/1 | |||
| 180 | 0918+15 |
01:08:07:25 |
00:00:08:18 |
07:51:15:15 |
31 | Dibie 1 - How did you become a DP? Working on little animations, charging admission, then shooting inspirational films, MOWs, and mulitcamera TV | 216/1 | |||||
| 181 | 0921+11 |
01:08:09:20 |
00:00:01:24 |
6373+00 |
6374+00 |
12:36:14:00 |
091232 | Seresin 11 - What do you want to do when you grow up? Own a vineyard, wonderful world, good balance to this, tolerant of other cultures, couldn't do one with out the other, film is the only career ever known, | 119/ | |||
| 182 | 0931+05 |
01:08:16:02 |
00:00:06:11 |
8025+06 |
8026+06 |
05:33:45:18 |
A8 | Richmond 1 - How did you become a DP? Working at Danziger Studios as Clapper/Loader, went on to meet Nicolas Roeg, Lawrence of Arabia, Dr. Zhivago, etc. | 108/1 | |||
| 183 | 0936+02 |
01:08:19:09 |
00:00:03:05 |
6279+02 |
6280+02 |
06:11:28:09 |
U28 | Semmler 1 - How did you become dp? Worked as props boy at 16, floor mgr. 16mm news, docs, then shot Mad Max II | 13/1 | |||
| 184 | 0943+00 |
01:08:23:26 |
00:00:04:16 |
8032+05 |
8033+05 |
05:33:50:06 |
A8 | Richmond 1 - How did you become a DP? Working at Danziger Studios as Clapper/Loader, went on to meet Nicolas Roeg, Lawrence of Arabia, Dr. Zhivago, etc. | 108/1 | |||
| 185 | 0974+04 |
01:08:44:21 |
00:00:20:24 |
5231+13 |
5232+13 |
01:02:56:16 |
000001 | 602 | Storaro 1 - How did you get started? Lucky, father was a projectionist, had a dream to work with images he was screening. | 501/1 | ||
| 186 | 0981+00 |
01:08:49:06 |
00:00:04:14 |
9050+06 |
9051+06 |
05:00:34:04 |
U22 | Dill 1 - How did you become a cinematographer? Loved stills , worked with Walker Evans, wanted to make a living, TV, docs, videos, Sidewalk Stories | 10/1 | |||
| 187 | 0996+09 |
01:08:59:17 |
00:00:10:10 |
9090+10 |
9091+10 |
15:07:29:10 |
Holzman 1 - Becoming DP? Watned to do stills for LIfe, folded, did stills as kid, had a dream of space movie, woke up and went to NYU, everyone wanted to be a Director, hands up on first day story** | |||||
| 188 | 1006+06 |
01:09:06:04 |
00:00:06:15 |
4009+05 |
4010+05 |
10:05:09:25 |
Steiger 1 - Becoming a DP? Shot weird little films in HS, Zurich, friend went to film school, went to university, didn't dare to apply to Film School , Lit & art, worked on side, grant to London Film Sch., started to struggle | |||||
| 189 | 1019+03 |
01:09:14:20 |
00:00:08:15 |
4474+06 |
4475+06 |
14:37:30:08 |
Fierberg 2 - How did you become a DP? In Detroit, friends had cameras, made reg. 8mm movies in the summer, in college had to decide about filmmaking, in Detroit, deciding on filmmaking was like jumping off a cliff** | |||||
| 190 | 1022+06 |
01:09:16:24 |
00:00:02:03 |
4999+00 |
5000+00 |
15:04:50:06 |
Vincent 1 - How did you become a DP? Theater and lighting in college, came to LA as asst. editor for 4 years, then camera PA, 2nd AC, 1st AC, Operator, then DP | |||||
| 191 | 1032+07 |
01:09:23:15 |
00:00:06:20 |
9591+13 |
9592+13 |
11:06:30:21 |
CU-11 | Anderson Peter 2 - How did you get started? 7yrs old, working for schools, churches, local TV station, university football games, wokring in a local lab, etc. | 607/2 | |||
| 192 | 1037+11 |
01:09:27:00 |
00:00:03:14 |
7303+05 |
7304+05 |
09:36:22:16 |
A29 | Roizman 1 - How did you become a DP? Went to schoold for math and physics, afterschool thought about being a teacher, found out how much they made, asked his father (DP) how much they made, and made up mind | 214/1 | |||
| 193 | 1040+02 |
01:09:28:19 |
00:00:01:18 |
6391+04 |
6392+04 |
12:02:42:19 |
Ryan 1 - How did you become a DP? Studies eng. in collge, ski raced for a few years, got interested in photography, ski mag. photog., worked for Warren Miller, docs, etc (MIC PROBLEM) | |||||
| 194 | 1045+04 |
01:09:32:01 |
00:00:03:11 |
4384+10 |
4385+10 |
13:43:26:23 |
Jensen 2 - Becoming a DP tk. 2, trained as mech. eng., emigrated from Denmark, came to this country to dig for god, came in little pieces but I finally found the pile | |||||
| 195 | 1056+03 |
01:09:39:10 |
00:00:07:08 |
5607+08 |
5608+08 |
07:36:42:24 |
U35 | Kenney 1 - How did you become a DP? At Hofstra, needed 6 credits, prof asked him to work in film co. Choose to be a camera man | 19/1 | |||
| 196 | 1058+12 |
01:09:41:01 |
00:00:01:20 |
6412+07 |
6413+07 |
14:07:23:15 |
Lighthill 1 - How did you become a DP Pt. 1, Went to BU as Journalism major, cool students were in film, started doing nightly news, 16mm, | |||||
| 197 | 1064+13 |
01:09:45:02 |
00:00:04:00 |
7076+12 |
7077+12 |
12:09:51:01 |
Cundey 1 - How did you become a DP? Knew wanted to be in movies since HS, wanted to do prod. des., studied architecture, took class with James Wong Howe, created images with lights, knew that was what it was | |||||
| 198 | 1080+01 |
01:09:55:07 |
00:00:10:03 |
9867+01 |
9868+01 |
17:31:38:19 |
Murphy 1 - Becoming a DP, Studying architecture, had model he couldn't build, did an aimation everyone liked, that was the end, years later, DP | |||||
| 199 | 1098+08 |
01:10:07:16 |
00:00:12:07 |
6496+04 |
6497+04 |
12:27:08:00 |
CU-18 | Mathis 1 - How did you become a DP? Both parents worked for NASA, all science in school until a progressive teacher let him make a video instead of a paper, working on it for 6 hours felt like 30 minutes, never lost track of time doing calculus*** | 610/1 | |||
| 200 | 1103+15 |
01:10:11:05 |
00:00:03:18 |
4681+12 |
4682+12 |
16:08:03:00 |
CU-38 | Deschanel 2 - Career start? Johns Hopkins undergrad, interested photography, edited paper, Matthew Robbins, Wlater Murch, went to film school, no hope, unless knew people, USC, Educational film houses, Carole ballard, commericals | 620/2 | |||
| 201 | 1131+05 |
01:10:29:12 |
00:00:18:06 |
4061+07 |
4062+07 |
13:41:02:10 |
Lenoir 2 - Becoming a DP? Going to cinematheque 500films a year, studying medicine, failure, so decided to go to filmschool, LEDC after 68 not recruiting so, went to Lumiere, | |||||
| 202 | 1151+04 |
01:10:42:21 |
00:00:13:07 |
9336+05 |
9337+05 |
20:14:49:06 |
CU-61 | Core 1 - How did you become a DP? Father was a painter/sculptor, went to Art center, saw Kurosawa's Ran, decided that's what he wanted to do. | 630/1 | |||
| 203 | 1159+12 |
01:10:48:11 |
00:00:05:19 |
7496+05 |
7497+05 |
08:16:56:26 |
22 | Goi 1 | 208/1 | |||
| 204 | 1181+10 |
01:11:02:29 |
00:00:14:17 |
4222+12 |
4223+12 |
10:38:05:29 |
Chressanthis 1 - In highschool saw a book in library, Motion Pic. Cameraman, Freddie Young, wasn't aware of DP in movies, started making shorts, docs, moved to LA to join the circus*** | |||||
| 205 | 1193+13 |
01:11:11:02 |
00:00:08:02 |
8761+07 |
8762+07 |
17:24:23:08 |
E Dickerson 1 - How become Cinemtographer? NYU film school grad, thru Spike Lee met John Sayles,1year after grad. shot Sayles Brother From Another Planet | |||||
| 206 | 1204+03 |
01:11:18:00 |
00:00:06:26 |
6565+02 |
6566+02 |
09:06:38:23 |
A25 | Okada 2 - Did you go to film school? No, worked on a lot of student films, watched films at night, worked on low budget films, anything I could do but go to school | 211/2 | |||
| 207 | 1209+05 |
01:11:21:12 |
00:00:03:11 |
5192+00 |
5193+00 |
15:50:13:28 |
Schwartzman 1 - How become a DP? Always had a darkroom as a kid, went to USC grad school, didn't work for many years, good network and made his way | |||||
| 208 | 1212+12 |
01:11:23:21 |
