Screen friendly Click frames to play an event

Assemble

Optical

Dupe

Pull

Scene Pull

Opt Scene Pull

Optical Pull

Scan

Scan List

Sequence: CStyleAssembly060105

Event	Footage	Master TC Start	Master Duration	Source Duration	Key Number	Key Number with Handles	Start	Lab Roll	Cam Roll	Clip Name	Scene Take
Assemble #49	0467+15 0469+03	01:03:07:05 01:03:08:00	0001+05 00:00:00:25	0001+05	EH 26 1768-9432+07 9433+11	EH 26 1768-9431+07 9434+11	08:49:34:19 08:49:35:14			Bridges 1
Assemble #335	3599+12 3642+02	01:37:55:01 01:38:23:09	0042+07 00:00:28:08	0042+07	EH 26 1768-9725+05 9767+11	EH 26 1768-9724+05 9768+11	08:52:49:26 08:53:18:04			Bridges 1.spirit in each cinematographers work
Assemble #99	0551+02 0552+08	01:04:02:19 01:04:03:16	0001+07 00:00:00:27	0001+07	EH 27 0247-4043+08 4044+14	EH 27 0247-4042+08 4045+14	18:25:38:23 18:25:39:20			Libatique 1 - Name Only
Assemble #435	6479+09 6488+03	02:09:54:27 02:10:00:20	0008+11 00:00:05:23	0008+11	EH 27 0247-4974+11 4983+05	EH 27 0247-4973+11 4984+05	18:38:07:20 18:38:13:13			Libatique - film stocks shape the way things look today. Elephant in 84 vs Phonebooth in 48 - stocks set looks apart.Copy.01
Assemble #420	6151+07 6161+03	02:06:16:05 02:06:22:20	0009+13 00:00:06:15	0009+13	EH 27 0247-5035+04 5045+00	EH 27 0247-5034+04 5046+00	18:38:48:01 18:38:54:16			Libatique 3 cameras don't matter, all in the lenses
Assemble #391	5426+11 5470+12	01:58:13:00 01:58:42:11	0044+02 00:00:29:11	0044+02	EH 27 0247-5227+08 5271+09	EH 27 0247-5226+08 5272+09	18:40:56:06 18:41:25:18			Libatique 3- Kino Flo changed cinematography, brought back practical locations, ceilings, less unnatural backlight
Assemble #345	4002+09 4060+14	01:42:23:17 01:43:02:14	0058+06 00:00:38:27	0058+06	EH 27 0247-8357+06 8415+11	EH 27 0247-8356+06 8416+11	10:11:19:21 10:11:58:18			Burum 4 (WRONG PULLIN) - St. Elmo's Fire? Ensemble cast there, lot's of fast dialoge, thought it would be better to play in the wide, decided to shoot it in scope, joy to watch actors working together
Assemble #116	0577+07 0578+11	01:04:20:05 01:04:21:00	0001+05 00:00:00:25	0001+05	EH 27 0248-9026+11 9027+15	EH 27 0248-9025+11 9028+15	18:02:33:14 18:02:34:09			M Negrin 1
Assemble #351	4152+00 4194+11	01:44:03:06 01:44:31:20	0042+12 00:00:28:14	0042+12	EH 27 0248-9677+03 9719+14	EH 27 0248-9676+03 9720+14	18:09:47:04 18:10:15:18			M Negrin 1 - NY Style? NY is a walking city, 800mm shot of people walking, contrasty, people walk in and out of shadow all the time because of buildings, like Hong Kong, ****
Assemble #366	4616+11 4687+03	01:49:13:00 01:50:00:00	0070+09 00:00:47:00	0070+09	EH 27 0252-6260+05 6330+13	EH 27 0252-6259+05 6331+13	13:56:56:25 13:57:43:25			Lenoir 4 - Euro vs. American styles
Assemble #393	5491+15 5549+10	01:58:56:15 01:59:34:29	0057+12 00:00:38:14	0057+12	EH 27 0252-6474+01 6531+12	EH 27 0252-6473+01 6532+12	14:04:48:05 14:05:26:19			Lenoir 5 - Demo of the RedHead, Explains color, why US gaffers hate them, why they love them, barndoor explanation, styles for bouncing light, etc.
Assemble #96	0546+12 0548+09	01:03:59:21 01:04:00:27	0001+14 00:00:01:06	0001+14	EH 27 0254-4012+14 4014+11	EH 27 0254-4011+14 4015+11	13:40:29:29 13:40:31:05			Lenoir 2
Assemble #201	1104+00 1131+05	01:10:11:06 01:10:29:12	0027+06 00:00:18:06	0027+06	EH 27 0254-4034+02 4061+07	EH 27 0254-4033+02 4062+07	13:40:44:04 13:41:02:10			Lenoir 2 - Becoming a DP? Going to cinematheque 500films a year, studying medicine, failure, so decided to go to filmschool, LEDC after 68 not recruiting so, went to Lumiere,
Assemble #379	5044+06 5065+13	01:53:58:04 01:54:12:12	0021+08 00:00:14:08	0021+08	EH 27 0254-4418+06 4439+13	EH 27 0254-4417+06 4440+13	13:45:25:15 13:45:39:24			D Lenoir 3 - Flat and non-flat lighting story
Assemble #457	7136+01 7196+00	02:17:12:17 02:17:52:16	0060+00 00:00:39:29	0060+00	EH 27 0254-4691+09 4751+08	EH 27 0254-4690+09 4752+08	13:48:27:19 13:49:07:18			Lenoir 3
Assemble #289	2406+09 2463+05	01:24:39:17 01:25:17:12	0056+13 00:00:37:25	0056+13	EH 27 0254-4767+14 4824+10	EH 27 0254-4766+14 4825+10	13:49:18:15 13:49:56:10			Lenoir 3 - Where do ideas for style come from? When reading scripts, try not to get too much of a visual picture, so when first meeting I don't want say strong colors and he says B/W, first weeks try to act like sponge, etc**
Assemble #390	5411+09 5426+10	01:58:02:27 01:58:12:29	0015+02 00:00:10:02	0015+02	EH 27 6630-9403+07 9418+08	EH 27 6630-9402+07 9419+08	17:03:30:16 17:03:40:18			Collister 4 - Tools and Tech pt. 2 (KINO FLO TUBE EXAMPLE) Restatement of tk. 3, with Kino tube in hand*****
Assemble #114	0574+05 0575+06	01:04:18:02 01:04:18:24	0001+02 00:00:00:22	0001+02	EH 27 6630-9843+15 9845+00	EH 27 6630-9842+15 9846+00	17:31:23:06 17:31:23:28			Murphy 1 - Name and title
Assemble #198	1064+14 1080+01	01:09:45:04 01:09:55:07	0015+04 00:00:10:03	0015+04	EH 27 6630-9851+14 9867+01	EH 27 6630-9850+14 9868+01	17:31:28:15 17:31:38:19			Murphy 1 - Becoming a DP, Studying architecture, had model he couldn't build, did an aimation everyone liked, that was the end, years later, DP
Assemble #246	1700+14 1705+08	01:16:49:04 01:16:52:06	0004+11 00:00:03:02	0004+11	EH 27 6630-9907+12 9912+06	EH 27 6630-9906+12 9913+06	17:32:05:23 17:32:08:25			Murphy 1 - Big Break, never AC or Operator, bought camera, shot movies on weekends for friends, made a film called Girlfriends which got picked up, went on from there
Assemble #144	0633+06 0634+11	01:04:57:14 01:04:58:10	0001+06 00:00:00:26	0001+06	EH 27 6634-4195+03 4196+08	EH 27 6634-4194+03 4197+08	08:50:15:03 08:50:15:29			Van Oostrum 1
Assemble #389	5386+13 5411+08	01:57:46:12 01:58:02:26	0024+12 00:00:16:14	0024+12	EH 27 6634-4645+12 4670+07	EH 27 6634-4644+12 4671+07	08:57:17:06 08:57:33:20			Van Oostrum 2 - Style and tech, pt. 2,Using soft lights, drops off very quickly, look for different lights that do different things, look for a tool or create it yourself
Assemble #382	5203+01 5231+14	01:55:43:27 01:56:03:04	0028+14 00:00:19:07	0028+14	EH 27 6634-7519+08 7548+05	EH 27 6634-7518+08 7549+05	12:12:33:23 12:12:52:29			Zsigmond 6 - JON CLIP: Lighting, soft vs hard light, soft light is boring, imagine soft light for deliverance??, sunlight comes into room, need hard light, 16:1. LIGHT COMES ON IN INTERVIEW **
Assemble #386	5336+11 5359+05	01:57:13:00 01:57:28:02	0022+11 00:00:15:02	0022+11	EH 27 6634-7629+07 7652+01	EH 27 6634-7628+07 7653+01	12:13:47:01 12:14:02:04			Zsigmond 6 - Shadows are more important
Assemble #100	0552+09 0554+02	01:04:03:17 01:04:04:19	0001+10 00:00:01:02	0001+10	EH 27 6635-6401+10 6403+03	EH 27 6635-6400+10 6404+03	14:07:16:09 14:07:17:10			Lighthill 1
Assemble #196	1056+04 1058+12	01:09:39:11 01:09:41:01	0002+09 00:00:01:20	0002+09	EH 27 6635-6409+15 6412+07	EH 27 6635-6408+15 6413+07	14:07:21:25 14:07:23:15			Lighthill 1 - How did you become a DP Pt. 1, Went to BU as Journalism major, cool students were in film, started doing nightly news, 16mm,
Assemble #363	4504+08 4531+06	01:47:58:06 01:48:16:04	0026+15 00:00:17:28	0026+15	EH 27 6635-6629+10 6656+08	EH 27 6635-6628+10 6657+08	14:09:48:09 14:10:06:06			Lighthill 1 - Difference between lighting docs and features? Running with a camera, comes from minimal equipment, go for a natural look, go there now, love naturalism
Assemble #160	0746+02 0759+11	01:06:12:19 01:06:21:20	0013+10 00:00:09:01	0013+10	EH 27 6635-7616+08 7630+01	EH 27 6635-7615+08 7631+01	14:40:07:21 14:40:16:23			Green 1 - Becoming a DP? Grad. from barber col. and HS within 10 days, cut hair 7 years, father had bathroom darkroom, loved stills, met a cameraman in SF, did AC work, part time and then full time
Assemble #165	0836+11 0852+07	01:07:13:00 01:07:23:15	0015+13 00:00:10:15	0015+13	EH 27 6635-7648+02 7663+14	EH 27 6635-7647+02 7664+14	14:40:28:24 14:40:39:09			Green 1 - Becoming a DP? Grad. from barber col. and HS within 10 days, cut hair 7 years, father had bathroom darkroom, loved stills, met a cameraman in SF, did AC work, part time and then full time
Assemble #87	0525+10 0526+12	01:03:45:19 01:03:46:11	0001+03 00:00:00:22	0001+03	EH 27 6637-4317+05 4318+07	EH 27 6637-4316+05 4319+07	13:41:28:23 13:41:29:15			Jensen 1
Assemble #194	1040+03 1045+04	01:09:28:20 01:09:32:01	0005+02 00:00:03:11	0005+02	EH 27 6637-4379+09 4384+10	EH 27 6637-4378+09 4385+10	13:43:23:11 13:43:26:23			Jensen 2 - Becoming a DP tk. 2, trained as mech. eng., emigrated from Denmark, came to this country to dig for god, came in little pieces but I finally found the pile
Assemble #357	4347+10 4400+08	01:46:13:19 01:46:48:26	0052+15 00:00:35:07	0052+15	EH 27 6637-4535+12 4588+10	EH 27 6637-4534+12 4589+10	13:45:07:15 13:45:42:23			Jensen 2 - Technology influencing style? Cinemobile was a Ford Econoline, very small, had openface lights, no fresnels, couldn't cut, so we bounced, 9 lights though shower curtain, style developed by necessity, ****
Assemble #78	0510+04 0511+08	01:03:35:11 01:03:36:06	0001+05 00:00:00:25	0001+05	EH 27 6643-5977+07 5978+11	EH 27 6643-5976+07 5979+11	15:05:56:00 15:05:56:25			Green 4
Assemble #395	5589+13 5644+04	02:00:01:22 02:00:38:01	0054+08 00:00:36:09	0054+08	EH 27 6643-6093+13 6148+04	EH 27 6643-6092+13 6149+04	15:07:13:18 15:07:49:26			Green 4 - More about Bird, where the inspiration came from for back cross edge lighting, works well of differernt skin tones, etc.
Assemble #83	0519+07 0520+13	01:03:41:15 01:03:42:12	0001+07 00:00:00:27	0001+07	EH 27 6643-6176+12 6178+02	EH 27 6643-6175+12 6179+02	15:19:40:09 15:19:41:06			Hubbs 1
Assemble #217	1338+06 1340+05	01:12:47:14 01:12:48:22	0002+00 00:00:01:08	0002+00	EH 27 6643-6253+09 6255+08	EH 27 6643-6252+09 6256+08	15:22:07:16 15:22:08:25			Hubbs 3 - How got into the businesspt. 1 - working as a waiter, never taken pictures, worked for industrials company, first pictures ever taken were with motion picture camera
Assemble #461	7313+07 7342+11	02:19:10:25 02:19:30:10	0029+05 00:00:19:15	0029+05	EH 27 6644-5030+13 5060+01	EH 27 6644-5029+13 5061+01	15:36:11:21 15:36:31:06			Hubbs 5 - Future of movies? Digittal tech. exciting, best part of filmmaking is the passion, shut up and listen to your heart***
Assemble #131	0599+06 0601+00	01:04:34:24 01:04:35:26	0001+11 00:00:01:02	0001+11	EH 27 6644-5107+11 5109+05	EH 27 6644-5106+11 5110+05	15:49:17:21 15:49:18:24			Schwartzman 1
Assemble #207	1204+04 1209+05	01:11:18:01 01:11:21:12	0005+02 00:00:03:11	0005+02	EH 27 6644-5186+15 5192+00	EH 27 6644-5185+15 5193+00	15:50:10:16 15:50:13:28			Schwartzman 1 - How become a DP? Always had a darkroom as a kid, went to USC grad school, didn't work for many years, good network and made his way
Assemble #261	1903+02 1939+02	01:19:03:29 01:19:27:29	0036+01 00:00:24:00	0036+01	EH 27 6644-5427+02 5463+02	EH 27 6644-5426+02 5464+02	15:54:19:28 15:54:43:28			Schwartzman 2
Assemble #426	6306+15 6330+02	02:07:59:25 02:08:15:09	0023+04 00:00:15:14	0023+04	EH 27 6644-6205+03 6228+06	EH 27 6644-6204+03 6229+06	16:06:32:12 16:06:47:25			Schwartzman 4 - Tech. & Tech? Chicken or the egg question, keep it simple, equipment is smaller and lighter, do a shot and find equip. to do it, moving the camera example***
Assemble #433	6439+09 6473+03	02:09:28:07 02:09:50:20	0033+11 00:00:22:13	0033+11	EH 27 6644-6231+02 6264+12	EH 27 6644-6230+02 6265+12	16:06:49:20 16:07:12:03			Schwartzman 4 - Tech. & Tech? Chicken or the egg question, keep it simple, equipment is smaller and lighter, do a shot and find equip. to do it, moving the camera example***
Assemble #337	3688+13 3762+08	01:38:54:12 01:39:43:16	0073+12 00:00:49:04	0073+12	EH 27 6644-6390+09 6464+04	EH 27 6644-6389+09 6465+04	16:08:35:29 16:09:25:03			Schwartzman 4 - Style? Best style is transparent, from the guy who did The Rock, Armageddon and Pearl Harbor, all style, but that's what the picture needed, different from Seabiscuit***
Assemble #438	6510+14 6577+13	02:10:15:24 02:11:00:12	0067+00 00:00:44:18	0067+00	EH 27 6644-7086+12 7153+11	EH 27 6644-7085+12 7154+11	16:18:08:04 16:18:52:23			Schwartzman 5 - Digital intermediate? Color timing before, crude, now control like Photoshop, used on Seabiscuit to have finer control, now that the genie is out of the bottle***
Assemble #102	0556+03 0557+07	01:04:06:00 01:04:06:25	0001+05 00:00:00:25	0001+05	EH 27 6644-7626+12 7628+00	EH 27 6644-7625+12 7629+00	16:47:30:09 16:47:31:04			Logan 1
Assemble #218	1340+06 1342+13	01:12:48:24 01:12:50:12	0002+08 00:00:01:18	0002+08	EH 27 6644-7650+07 7652+14	EH 27 6644-7649+07 7653+14	16:47:46:03 16:47:47:21			Logan 1 - Becoming a DP? Started in animation in the attic, doing 1000's of drawings, dad gave 9.5mm camera, stop motion, hired in animation co Rostrum camera, then to 2001, Doug Trumbull, VFX school, then to 35mm features
Assemble #271	2283+09 2292+10	01:23:17:17 01:23:23:19	0009+02 00:00:06:02	0009+02	EH 27 6644-8001+05 8010+06	EH 27 6644-8000+05 8011+06	16:53:15:04 16:53:21:05			Logan 2 - Style? Artist's own take on things, vision, caused by a challenge, in my case, didn't know how to light, chose natural light situations, people began to like it, film was 50 or 100ASA, became a style
Assemble #70	0497+09 0498+14	01:03:26:27 01:03:27:24	0001+06 00:00:00:27	0001+06	EH 27 6644-8702+04 8703+09	EH 27 6644-8701+04 8704+09	17:23:43:24 17:23:44:20			E Dickerson 1
Assemble #205	1181+11 1193+13	01:11:03:00 01:11:11:02	0012+03 00:00:08:02	0012+03	EH 27 6644-8749+05 8761+07	EH 27 6644-8748+05 8762+07	17:24:15:05 17:24:23:08			E Dickerson 1 - How become Cinemtographer? NYU film school grad, thru Spike Lee met John Sayles,1year after grad. shot Sayles Brother From Another Planet
Assemble #125	0590+00 0591+01	01:04:28:16 01:04:29:07	0001+02 00:00:00:21	0001+02	EH 27 6645-7312+06 7313+07	EH 27 6645-7311+06 7314+07	09:21:37:08 09:21:37:29			Primes 1
Assemble #211	1231+11 1264+02	01:11:36:10 01:11:57:29	0032+08 00:00:21:19	0032+08	EH 27 6645-7391+01 7423+08	EH 27 6645-7390+01 7424+08	09:22:29:21 09:22:51:10			Primes 1
Assemble #384	5270+06 5288+12	01:56:28:24 01:56:41:01	0018+07 00:00:12:07	0018+07	EH 27 6645-8179+00 8197+06	EH 27 6645-8178+00 8198+06	09:40:52:28 09:41:05:05			Primes 4 - Lighting style cont'd? Like to think that there is a single lighting vector (EXAMPLE WITH FOAM CORE) fill from the opposite side weakens, fill from the front, negative fill makes the source stronger****
Assemble #266	2159+02 2186+04	01:21:54:19 01:22:12:21	0027+03 00:00:18:02	0027+03	EH 27 6645-8558+00 8585+02	EH 27 6645-8557+00 8586+02	09:47:49:00 09:48:07:03			Primes 7 - Style cont'd, Important to be interpreting not just recording images, adding own point of view, make commentary with light, dark, color, etc. go to a new place, big monitor helps that, seeing **
Optical #12	0493+00 0493+04	00:00:00:00 00:00:00:04	0000+05 00:00:00:04	0012+10	EH 27 6646-6071+08 6084+01	EH 27 6646-6070+08 6085+01	08:19:46:14 08:19:54:25			Dexter 2
Assemble #67	0493+05 0494+07	01:03:24:02 01:03:24:25	0001+03 00:00:00:23	0001+03	EH 27 6646-6082+10 6083+12	EH 27 6646-6081+10 6084+12	08:19:53:26 08:19:54:19			Dexter 2
Assemble #428	6353+15 6379+14	02:08:31:05 02:08:48:14	0026+00 00:00:17:09	0026+00	EH 27 6646-6660+00 6685+15	EH 27 6646-6659+00 6686+15	08:34:19:26 08:34:37:05			Dexter 3 (OVER MODULATED AUDIO) - About being a mechanic? Got to be a better way? Hi-Hat example, speed rail, other examples, etc***
Assemble #430	6393+09 6417+08	02:08:57:17 02:09:13:16	0024+00 00:00:15:29	0024+00	EH 27 6646-6715+03 6739+02	EH 27 6646-6714+03 6740+02	08:34:56:20 08:35:12:19			Dexter 3 (OVER MODULATED AUDIO)
Assemble #432	6433+03 6439+08	02:09:24:00 02:09:28:06	0006+06 00:00:04:06	0006+06	EH 27 6646-7158+01 7164+06	EH 27 6646-7157+01 7165+06	08:43:31:25 08:43:36:01			Dexter 5 - Talk about sawing lenses? on Harvest, had eclair CM3s and Arris, put Nikon mounts on them, how to get the lenses to fit
Assemble #256	1818+10 1824+03	01:18:07:19 01:18:11:10	0005+10 00:00:03:21	0005+10	EH 27 6646-7206+05 7211+14	EH 27 6646-7205+05 7212+14	08:44:04:00 08:44:07:21			Dexter 5 - Talk about being a mentor? Always taught, and only saved a few tricks for myself, like perriscope lenses, how he made them, studying optics, etc.
Assemble #104	0559+04 0562+02	01:04:08:01 01:04:09:29	0002+15 00:00:01:28	0002+15	EH 27 6647-6380+03 6383+01	EH 27 6647-6379+03 6384+01	10:30:41:03 10:30:43:00			Mankofsky 1
Assemble #279	2338+14 2339+13	01:23:54:14 01:23:55:02	0001+00 00:00:00:18	0001+00	EH 27 6647-6656+03 6657+02	EH 27 6647-6655+03 6658+02	10:33:45:03 10:33:45:21			Mankofsky 1 - How does style happen? Like to say don't have style, style determined by story and dir's desire what he wants to see, limited to style gets pidgeon-holed, start with a plan, etc.
Assemble #396	5644+05 5661+08	02:00:38:02 02:00:49:16	0017+04 00:00:11:14	0017+04	EH 27 6647-6704+04 6721+07	EH 27 6647-6703+04 6722+07	10:34:17:04 10:34:28:18			Mankofsky 1 - How does style happen? Like to say don't have style, style determined by story and dir's desire what he wants to see, limited to style gets pidgeon-holed, start with a plan, etc.
Assemble #441	6671+11 6699+04	02:12:03:00 02:12:21:11	0027+10 00:00:18:11	0027+10	EH 27 6647-7078+04 7105+13	EH 27 6647-7077+04 7106+13	09:22:57:28 09:23:16:09			Sigel 3 - DI pt. 2, Danger is role of DP is much more vulnerable now, if 9 months after shoot, studio ready for DI butDP isn't available, problem, turn of a knob and it's a different movie, change a sweater, etc	SIEGL/3
Assemble #136	0608+02 0615+00	01:04:40:19 01:04:45:06	0006+15 00:00:04:17	0006+15	EH 27 6647-8018+01 8024+15	EH 27 6647-8017+01 8025+15	09:06:35:24 09:06:40:11			Sigel 1	SIGEL/1
Assemble #210	1215+03 1231+10	01:11:25:10 01:11:36:09	0016+08 00:00:10:29	0016+08	EH 27 6647-8051+05 8067+12	EH 27 6647-8050+05 8068+12	09:06:57:29 09:07:08:28			Sigel 1 - Becomign a DP? Studied painting in HS, went to Whitney Mus. program, loved painting couldn't get them to move, started shooting super8, 16mm, abstract, segue into docs, then to narrative "the mess I'm in today"	SIGEL/1
Assemble #328	3429+07 3449+07	01:36:01:15 01:36:14:25	0020+01 00:00:13:10	0020+01	EH 27 6647-8168+03 8188+03	EH 27 6647-8167+03 8189+03	09:08:15:26 09:08:29:06			Sigel 1 - Origin of style? begins with material & whatever ressonates within you, some things I've discovered some out ignorance, "Looks kinda cool", so comes from many places but hopefully from your own vision	SIGEL/1
Assemble #409	5929+12 5961+01	02:03:48:11 02:04:09:07	0031+06 00:00:20:26	0031+06	EH 27 6648-7702+01 7733+06	EH 27 6648-7701+01 7734+06	10:03:08:23 10:03:29:19			Burum 3 - Style is organic, comes from experinece? Emotion, experience, talent influences, how well you can accomplish is your craftskill, Art is about expressing how you see something***
Assemble #62	0485+10 0488+13	01:03:18:29 01:03:21:02	0003+04 00:00:02:03	0003+04	EH 77 0247-9009+08 9012+11	EH 77 0247-9008+08 9013+11	10:34:39:14 10:34:41:18			Daviau 1
Assemble #155	0711+14 0725+13	01:05:49:24 01:05:59:02	0014+00 00:00:09:08	0014+00	EH 77 0247-9015+03 9029+02	EH 77 0247-9014+03 9030+02	10:34:43:08 10:34:52:16			Daviau 1 - How did you become DP? Saw color TV in LA for the first time on in LA, went to all the TV stations and then eventually gate crashed the studios asking questions
Assemble #36	0412+02 0428+12	01:02:29:29 01:02:41:01	0016+11 00:00:11:02	0016+11	EH 77 0247-9143+01 9159+11	EH 77 0247-9142+01 9160+11	10:36:08:15 10:36:19:18			Daviau 1
Assemble #255	1812+06 1818+09	01:18:03:14 01:18:07:17	0006+04 00:00:04:03	0006+04	EH 77 0247-9566+01 9572+04	EH 77 0247-9565+01 9573+04	10:41:35:06 10:41:39:10			Daviau 2 - How did you meet Ron Dexter? Working on commercials, Ron used to host symposia to talk about new techniques, inspiration to many young filmmakers.Copy.01
Assemble #257	1824+04 1840+10	01:18:11:11 01:18:22:09	0016+07 00:00:10:28	0016+07	EH 77 0247-9584+03 9600+09	EH 77 0247-9583+03 9601+09	10:41:47:09 10:41:58:06			Daviau 2 - How did you meet Ron Dexter? Working on commercials, Ron used to host symposia to talk about new techniques, inspiration to many young filmmakers.Copy.01
Assemble #408	5921+09 5929+11	02:03:42:27 02:03:48:10	0008+03 00:00:05:13	0008+03	EH 77 0247-9660+00 9668+02	EH 77 0247-9659+00 9669+02	10:42:37:25 10:42:43:08			Daviau 2 - Where does style come from? Cinematography is mastering of complex technology in the service of Art, getting in the director's mind, watching films together, tear sheets, R. Coutard quote
Assemble #292	2517+09 2525+12	01:25:53:17 01:25:59:01	0008+04 00:00:05:14	0008+04	EH 77 0247-9669+13 9678+00	EH 77 0247-9668+13 9679+00	10:42:44:11 10:42:49:25			Daviau 2 - Where does style come from? Cinematography is mastering of complex technology in the service of Art, getting in the director's mind, watching films together, tear sheets, R. Coutard quote
Assemble #298	2650+12 2663+10	01:27:22:11 01:27:30:29	0012+15 00:00:08:18	0012+15	EH 77 0247-9726+13 9739+11	EH 77 0247-9725+13 9740+11	10:43:22:11 10:43:30:29			Daviau 2 - Where does style come from? Cinematography is mastering of complex technology in the service of Art, getting in the director's mind, watching films together, tear sheets, R. Coutard quote
Assemble #310	2934+05 2970+04	01:30:31:12 01:30:55:11	0036+00 00:00:23:29	0036+00	EH 77 0247-9751+11 9787+10	EH 77 0247-9750+11 9788+10	10:43:38:29 10:44:02:28			Daviau 2 - Where does style come from? Cinematography is mastering of complex technology in the service of Art, getting in the director's mind, watching films together, tear sheets, R. Coutard quote
Assemble #317	3126+14 3144+01	01:32:39:24 01:32:51:07	0017+04 00:00:11:13	0017+04	EH 77 0247-9873+01 9890+04	EH 77 0247-9872+01 9891+04	10:44:59:26 10:45:11:10			Daviau 2 - Style part 2, ENR, skip-bleach, now DI,communicating with the director, studio, etc, a look, belief in film dailies, working with the production designer to create the look
Assemble #309	2930+06 2934+04	01:30:28:24 01:30:31:11	0003+15 00:00:02:17	0003+15	EH 77 0248-8072+05 8076+03	EH 77 0248-8071+05 8077+03	17:35:49:28 17:35:52:15			Murphy 2 - Architecture influence your style? Everything we learn influences us, very interested in space, how the lens preceives space, abstract concept of cinema space,
Assemble #372	4841+01 4887+02	01:51:42:17 01:52:13:09	0046+02 00:00:30:22	0046+02	EH 77 0248-8573+00 8619+01	EH 77 0248-8572+00 8620+01	17:44:19:12 17:44:50:03			Murphy 4 (WRONG PULLIN) - Dark stage? Usually turn on one lgiht that I've placed, see how that looks and then turn others on one at a time, then start turning them off again, until it looks right**.Copy.01
Assemble #24	0354+14 0364+02	01:01:51:24 01:01:57:29	0009+05 00:00:06:05	0009+05	EH 77 0250-4328+08 4337+12	EH 77 0250-4327+08 4338+12	14:28:17:26 14:28:24:01			Edlund 7 - Dgital pt. 2, Look at how NTSC has evolved over the years, improved with age, etc, love film, grew up with the smell on hands, but film is like a Sumo, some times you get thrown out ring, digital is easier
Assemble #74	0503+07 0504+10	01:03:30:25 01:03:31:19	0001+04 00:00:00:24	0001+04	EH 77 0250-4402+15 4404+02	EH 77 0250-4401+15 4405+02	14:36:42:19 14:36:43:13			Fierberg 2
Assemble #189	1006+07 1019+03	01:09:06:05 01:09:14:20	0012+13 00:00:08:15	0012+13	EH 77 0250-4461+10 4474+06	EH 77 0250-4460+10 4475+06	14:37:21:23 14:37:30:08			Fierberg 2 - How did you become a DP? In Detroit, friends had cameras, made reg. 8mm movies in the summer, in college had to decide about filmmaking, in Detroit, deciding on filmmaking was like jumping off a cliff**
Assemble #130	0597+14 0599+05	01:04:33:24 01:04:34:22	0001+08 00:00:00:28	0001+08	EH 77 0251-7296+01 7297+08	EH 77 0251-7295+01 7298+08	11:34:22:14 11:34:23:13			Schreiber 1
Assemble #220	1352+08 1363+03	01:12:56:26 01:13:04:00	0010+12 00:00:07:04	0010+12	EH 77 0251-7334+08 7345+03	EH 77 0251-7333+08 7346+03	11:34:48:03 11:34:55:06			Schreiber 1 - How did you become a DP? UofM, Art Major, underground films, moved to NY, answered ad in Vil. Voice, worked in elec. dept. Gaffer took an interest in teaching
Assemble #258	1840+11 1852+05	01:18:22:10 01:18:30:02	0011+11 00:00:07:22	0011+11	EH 77 0251-7376+09 7388+03	EH 77 0251-7375+09 7389+03	11:35:16:04 11:35:23:26			Schreiber 1 - How did you become a DP? UofM, Art Major, underground films, moved to NY, answered ad in Vil. Voice, worked in elec. dept. Gaffer took an interest in teaching
Assemble #167	0856+04 0858+09	01:07:26:01 01:07:27:17	0002+06 00:00:01:16	0002+06	EH 77 0251-7397+10 7399+15	EH 77 0251-7396+10 7400+15	11:35:30:05 11:35:31:21			Schreiber 1 - How did you become a DP? UofM, Art Major, underground films, moved to NY, answered ad in Vil. Voice, worked in elec. dept. Gaffer took an interest in teaching
Assemble #32	0393+05 0402+14	01:02:17:12 01:02:23:24	0009+10 00:00:06:12	0009+10	EH 77 0251-7669+05 7678+14	EH 77 0251-7668+05 7679+14	11:38:31:09 11:38:37:20			Schreiber 1 - Style cont'd. Doesn't like it when DPs get pidgeon-holed as action or story, etc. Tries to make every film individual.
Assemble #293	2525+13 2535+01	01:25:59:02 01:26:05:07	0009+05 00:00:06:05	0009+05	EH 77 0251-7696+04 7705+08	EH 77 0251-7695+04 7706+08	11:38:49:08 11:38:55:13			Schreiber 1 - Style 3? Likes to work with the director to break down the story step by step, scene by scene, get involved early so photographic needs are addressed early**
Assemble #458	7196+01 7237+14	02:17:52:17 02:18:20:14	0041+14 00:00:27:27	0041+14	EH 77 0252-4973+11 5015+08	EH 77 0252-4972+11 5016+08	14:38:35:05 14:39:03:01			Narita 4 - Changes in technology? in our lifetime, we've seen great changes in (cinema) technology, sound, color film, etc, these were big compared to digital aquisition technology changes, should embrace it
Assemble #305	2871+00 2880+14	01:29:49:06 01:29:55:24	0009+15 00:00:06:18	0009+15	EH 77 0252-5566+00 5575+14	EH 77 0252-5565+00 5576+14	14:46:26:00 14:46:32:18			Narita 5
Assemble #40	0441+03 0443+15	01:02:49:10 01:02:51:05	0002+13 00:00:01:25	0002+13	EH 77 0255-4105+10 4108+06	EH 77 0255-4104+10 4109+06	16:08:04:14 16:08:06:09			Adefarasin 1
Assemble #267	2186+05 2204+10	01:22:12:22 01:22:24:29	0018+06 00:00:12:07	0018+06	EH 77 0255-4382+02 4400+07	EH 77 0255-4381+02 4401+07	16:11:08:24 16:11:21:00			Adefarasin 1- About Style Collaboration - move to style section
Assemble #367	4687+04 4712+13	01:50:00:01 01:50:17:02	0025+10 00:00:17:01	0025+10	EH 77 0255-4451+04 4476+13	EH 77 0255-4450+04 4477+13	16:11:54:26 16:12:11:28			Adefarasin 1 - The difference bt US and UK style, no humanity, execs coming down
Assemble #421	6161+04 6167+04	02:06:22:21 02:06:26:21	0006+01 00:00:04:00	0006+01	EH 77 0255-5031+13 5037+13	EH 77 0255-5030+13 5038+13	16:23:00:08 16:23:04:08			Adefarasin 3 - Relationship with director most important, camera, etc.
Assemble #376	4969+05 4999+05	01:53:08:02 01:53:28:02	0030+01 00:00:20:00	0030+01	EH 77 0255-5429+06 5459+06	EH 77 0255-5428+06 5460+06	16:30:40:11 16:31:00:11			Adefarasin 5 - Importance of lighting? Best tools for cinematographer, must know story before you know how to light it, like contradictory lighting, sad scene, instead rain projected dribbles, sunset, rain at funeral scences example,***
Assemble #56	0478+06 0479+08	01:03:14:04 01:03:14:26	0001+03 00:00:00:22	0001+03	EH 77 0255-5650+09 5651+11	EH 77 0255-5649+09 5652+11	16:45:33:20 16:45:34:13			Collister 1
Assemble #60	0483+07 0484+08	01:03:17:15 01:03:18:06	0001+02 00:00:00:21	0001+02	EH 77 0255-6990+12 6991+13	EH 77 0255-6989+12 6992+13	12:08:53:21 12:08:54:13			Cundey 1
Assemble #197	1058+13 1064+13	01:09:41:02 01:09:45:02	0006+01 00:00:04:00	0006+01	EH 77 0255-7070+12 7076+12	EH 77 0255-7069+12 7077+12	12:09:47:01 12:09:51:01			Cundey 1 - How did you become a DP? Knew wanted to be in movies since HS, wanted to do prod. des., studied architecture, took class with James Wong Howe, created images with lights, knew that was what it was
Assemble #71	0498+15 0500+06	01:03:27:25 01:03:28:24	0001+08 00:00:00:29	0001+08	EH 77 0255-8000+07 8001+14	EH 77 0255-7999+07 8002+14	14:02:10:20 14:02:11:19			Edlund 1
Assemble #436	6488+04 6499+01	02:10:00:21 02:10:07:27	0010+14 00:00:07:06	0010+14	EH 77 0255-8762+11 8773+08	EH 77 0255-8761+11 8774+08	14:19:27:19 14:19:34:25			Edlund 5 - Tech. and Tech? Works both ways, the tools dictate what we can do (color, film,etc) but we decide how they are used, sea change coming with digitial acquisition, comes from VFX, $9M optical printer story
Assemble #324	3358+07 3371+02	01:35:14:05 01:35:22:19	0012+12 00:00:08:14	0012+12	EH 77 0255-9782+12 9795+07	EH 77 0255-9781+12 9796+07	12:42:06:16 12:42:15:00			Cundey 5 - How is the style of commercials different from Features? Commercials are the areas that allow us to experiement, area where learned to experiment in post, now with DI, example of how com. effect features, etc.
Assemble #98	0550+00 0551+01	01:04:01:26 01:04:02:17	0001+02 00:00:00:21	0001+02	EH 77 0257-6277+04 6278+05	EH 77 0257-6276+04 6279+05	15:37:34:00 15:37:34:21			Levy 1 - Name and title
Assemble #173	0885+15 0887+03	01:07:45:25 01:07:46:20	0001+05 00:00:00:25	0001+05	EH 77 0257-6325+11 6326+15	EH 77 0257-6324+11 6327+15	15:38:06:09 15:38:07:04			Levy 1 - Where are you from? From Sydney, Aus. school there called Commonwealth Film Unit, started out as a freelance, in 1988, came to US to shoot Nightmare on Elm st. 5
Assemble #398	5690+08 5703+11	02:01:08:26 02:01:17:20	0013+04 00:00:08:24	0013+04	EH 77 0257-6538+13 6552+00	EH 77 0257-6537+13 6553+00	15:40:28:11 15:40:37:05			Levy 1
Assemble #268	2204+11 2224+07	01:22:25:00 01:22:38:05	0019+13 00:00:13:05	0019+13	EH 77 0257-6711+14 6731+10	EH 77 0257-6710+14 6732+10	15:43:35:16 15:43:48:21			Levy 2 - Where does that come from, script? Script and the confidence of the director to allow you to see it your own way, want to audiene to feel or think at the end of the scene***
Assemble #139	0617+13 0619+02	01:04:47:02 01:04:47:29	0001+06 00:00:00:27	0001+06	EH 77 0258-3958+12 3960+01	EH 77 0258-3957+12 3961+01	10:04:36:04 10:04:37:00			Steiger 1
Assemble #188	0996+10 1006+06	01:08:59:19 01:09:06:04	0009+13 00:00:06:15	0009+13	EH 77 0258-3999+09 4009+05	EH 77 0258-3998+09 4010+05	10:05:03:10 10:05:09:25			Steiger 1 - Becoming a DP? Shot weird little films in HS, Zurich, friend went to film school, went to university, didn't dare to apply to Film School , Lit & art, worked on side, grant to London Film Sch., started to struggle
Assemble #290	2463+06 2488+08	01:25:17:14 01:25:34:06	0025+03 00:00:16:22	0025+03	EH 77 0258-4370+02 4395+04	EH 77 0258-4369+02 4396+04	10:09:10:11 10:09:27:04			Steiger 1 - Where does style come from? Movie decides itself what it looks like, I'm very open, don't really know, I have my ideas, I listen a lot and pretend to know, through equipment have or don't have, director***
Assemble #143	0630+06 0633+05	01:04:55:14 01:04:57:12	0003+00 00:00:01:28	0003+00	EH 77 0259-5003+07 5006+06	EH 77 0259-5002+07 5007+06	16:33:34:17 16:33:36:15			Toll 1
Assemble #176	0891+07 0893+05	01:07:49:15 01:07:50:22	0001+15 00:00:01:07	0001+15	EH 77 0259-5033+01 5034+15	EH 77 0259-5032+01 5035+15	16:33:54:09 16:33:55:17			Toll 1 - Becoming a DP? Did stills as a kid, went to school in LA, worked in David Wolper's doc. co., PA, then AC, Op. then DP
Assemble #270	2265+03 2283+08	01:23:05:10 01:23:17:16	0018+06 00:00:12:06	0018+06	EH 77 0259-5198+03 5216+08	EH 77 0259-5197+03 5217+08	16:35:44:12 16:35:56:18			Toll 1 - Where does style come from? Trying to tell a visual story, so the style comes from the story, can be anything you want it to be...
Assemble #57	0479+09 0480+14	01:03:14:27 01:03:15:24	0001+06 00:00:00:27	0001+06	EH 77 0260-4022+15 4024+04	EH 77 0260-4021+15 4025+04	09:46:58:15 09:46:59:11			Cooperman 1
Assemble #115	0575+07 0577+06	01:04:18:25 01:04:20:04	0002+00 00:00:01:09	0002+00	EH 77 0260-5035+04 5037+03	EH 77 0260-5034+04 5038+03	14:24:43:23 14:24:45:01			Narita 2
Assemble #212	1264+03 1296+12	01:11:58:00 01:12:19:21	0032+10 00:00:21:21	0032+10	EH 77 0260-5083+01 5115+10	EH 77 0260-5082+01 5116+10	14:25:15:19 14:25:37:10			Narita 2 - Becoming a DP pt. 2? Got frustrated in illustrations doing one images, so explored documentaries, then did AC and assitant lighting, then pretended to be a cinematographer
Assemble #295	2562+09 2578+01	01:26:23:17 01:26:33:27	0015+09 00:00:10:10	0015+09	EH 77 0260-5611+07 5626+15	EH 77 0260-5610+07 5627+15	14:32:06:29 14:32:17:09			Narita 3 - Style your films? Never Cry Wolf, working for days and days in tundra, get to appreciate the northern light, open space etc, style grew out of itself, danger of applying your old style on something new**
Assemble #323	3325+11 3358+06	01:34:52:10 01:35:14:04	0032+12 00:00:21:24	0032+12	EH 77 0260-8199+06 8232+01	EH 77 0260-8198+06 8233+01	14:47:59:29 14:48:21:23			Fierberg 3 - Many members of the ASC started in comm. then features, wish I had started that way, in commercials, learn very quickly because of turnover, DW Griffith one reeler ex., now takes years to do feature**
Assemble #424	6242+03 6282+01	02:07:16:20 02:07:43:07	0039+15 00:00:26:17	0039+15	EH 77 0260-8672+08 8712+06	EH 77 0260-8671+08 8713+06	14:56:32:19 14:56:59:06			Fierberg 5 - (WIDE ANGLE LENS) Talking about the psychology of lenses, gesturing towards camera, example of using wide angle lenses on Secretary, etc.
Assemble #82	0517+14 0519+06	01:03:40:14 01:03:41:14	0001+09 00:00:01:00	0001+09	EH 77 0260-9010+08 9012+00	EH 77 0260-9009+08 9013+00	15:06:35:28 15:06:36:28			Holzman 1
Assemble #187	0981+01 0996+09	01:08:49:07 01:08:59:17	0015+09 00:00:10:10	0015+09	EH 77 0260-9075+02 9090+10	EH 77 0260-9074+02 9091+10	15:07:19:00 15:07:29:10			Holzman 1 - Becoming DP? Watned to do stills for LIfe, folded, did stills as kid, had a dream of space movie, woke up and went to NYU, everyone wanted to be a Director, hands up on first day story**
Assemble #446	6822+15 6830+13	02:13:43:25 02:13:49:02	0007+15 00:00:05:07	0007+15	EH 77 0260-9374+08 9382+06	EH 77 0260-9373+08 9383+06	15:13:15:23 15:13:21:00			Holzman 4
Assemble #55	0477+04 0478+05	01:03:13:11 01:03:14:02	0001+02 00:00:00:21	0001+02	EH 77 0261-4148+12 4149+13	EH 77 0261-4147+12 4150+13	10:37:16:19 10:37:17:10			Chressanthis 1
Assemble #204	1159+13 1181+10	01:10:48:12 01:11:02:29	0021+14 00:00:14:17	0021+14	EH 77 0261-4200+15 4222+12	EH 77 0261-4199+15 4223+12	10:37:51:13 10:38:05:29			Chressanthis 1 - In highschool saw a book in library, Motion Pic. Cameraman, Freddie Young, wasn't aware of DP in movies, started making shorts, docs, moved to LA to join the circus***
Assemble #464	7363+13 7370+14	02:19:44:12 02:19:49:04	0007+02 00:00:04:22	0007+02	EH 77 0261-4651+05 4658+06	EH 77 0261-4650+05 4659+06	10:43:56:00 10:44:00:22			Chressanthis 2
Assemble #43	0447+00 0449+07	01:02:53:06 01:02:54:25	0002+08 00:00:01:19	0002+08	EH 77 0261-4971+14 4974+05	EH 77 0261-4970+14 4975+05	16:02:03:01 16:02:04:20			H Anderson III 1
Assemble #158	0740+14 0742+14	01:06:09:04 01:06:10:14	0002+01 00:00:01:10	0002+01	EH 77 0261-4994+02 4996+02	EH 77 0261-4993+02 4997+02	16:02:17:26 16:02:19:06			H Anderson III 1 - How did you get where you are today? Born into it, started in highshcool then in college working part time, then full time after UCLA
Assemble #354	4233+07 4243+02	01:44:57:15 01:45:03:29	0009+12 00:00:06:14	0009+12	EH 77 0262-6999+04 7008+15	EH 77 0262-6998+04 7009+15	16:52:21:03 16:52:27:17			Toll 3 - Style and background of Wind with Carole Ballard, hand-held 35mm Aaton, splash housings, nitrogen deflectors
Assemble #311	2970+05 2992+03	01:30:55:12 01:31:10:00	0021+15 00:00:14:18	0021+15	EH 77 0262-7569+10 7591+08	EH 77 0262-7568+10 7592+08	16:58:41:10 16:58:55:28			Toll 3 - Improvisation in films? Good filmmaking comes from improv, don't want to tell each story the same way*** (LOST TRAIN OF THOUGHT)
Assemble #361	4470+02 4480+01	01:47:35:09 01:47:41:27	0010+00 00:00:06:18	0010+00	EH 77 0262-9061+04 9071+03	EH 77 0262-9060+04 9072+03	12:13:57:19 12:14:04:08			Ryan 3 - Locations and style? Coming from documentary, hyper-aware of the locations, like to know how a particular location relates to the actors, scene, placing in the frame so the audience can expoloe images
Assemble #353	4215+10 4233+06	01:44:45:19 01:44:57:14	0017+13 00:00:11:25	0017+13	EH 77 0263-3973+00 3990+12	EH 77 0263-3972+00 3991+12	10:01:44:01 10:01:55:26			Cooperman 3
Assemble #73	0501+15 0503+06	01:03:29:25 01:03:30:24	0001+08 00:00:00:29	0001+08	EH 77 0263-4311+06 4312+13	EH 77 0263-4310+06 4313+13	10:16:46:16 10:16:47:15			Fauntleroy 1
Assemble #169	0868+09 0877+03	01:07:34:07 01:07:40:00	0008+11 00:00:05:23	0008+11	EH 77 0263-4406+15 4415+09	EH 77 0263-4405+15 4416+09	10:19:03:19 10:19:09:11			Fauntleroy 2 - Becoming a DP, tk. 2? Picked up camera in HS in SoCal, course, had always played sports but couldn't draw or paint, but when I picked up the camera, I could paint
Assemble #259	1852+06 1858+03	01:18:30:04 01:18:34:00	0005+14 00:00:03:26	0005+14	EH 77 0263-4972+07 4978+04	EH 77 0263-4971+07 4979+04	11:04:32:06 11:04:36:03			Chressanthis 4 - Mentors? Vilmos is a mentor, intern on Witches of Eastwick, shot some inserts, and later2nd Unit, all difficult in retrospect, great respect and admiration
Assemble #402	5804+10 5833+03	02:02:24:29 02:02:44:00	0028+10 00:00:19:01	0028+10	EH 77 0263-5090+09 5119+02	EH 77 0263-5089+09 5120+02	11:05:50:29 11:06:10:00			Chressanthis 4 - Being a mentor yourself? Assume that everyone in the camera dept. wants to shoot, all are artists, not just technicians, try to share my knowledge, as Vilmos did with me
Assemble #225	1398+10 1403+12	01:13:27:19 01:13:31:01	0005+03 00:00:03:12	0005+03	EH 77 0263-5204+15 5210+01	EH 77 0263-5203+15 5211+01	11:21:55:08 11:21:58:20			Zsigmond 1 - name, title, brief timline from Hungary to USA
Assemble #227	1406+13 1410+06	01:13:33:02 01:13:35:14	0003+10 00:00:02:12	0003+10	EH 77 0263-5211+06 5214+15	EH 77 0263-5210+06 5215+15	11:21:59:16 11:22:01:28			Zsigmond 1 - name, title, brief timline from Hungary to USA
Assemble #150	0643+10 0648+11	01:05:04:09 01:05:07:20	0005+02 00:00:03:11	0005+02	EH 77 0263-5249+12 5254+13	EH 77 0263-5248+12 5255+13	11:23:15:18 11:23:18:29			Zsigmond 2
Assemble #229	1418+13 1428+05	01:13:41:02 01:13:47:12	0009+09 00:00:06:10	0009+09	EH 77 0263-5309+08 5319+00	EH 77 0263-5308+08 5320+00	11:23:55:13 11:24:01:23			Zsigmond 2 - Film Smuggle story. dcoumentary film of revoultion, secret meeting, three cine's were chosen(him, Kovacs and another) smuggle film to west. father worked in Moracco
Assemble #231	1431+13 1443+02	01:13:49:22 01:13:57:09	0011+06 00:00:07:17	0011+06	EH 77 0263-5330+04 5341+09	EH 77 0263-5329+04 5342+09	11:24:09:08 11:24:16:24			Zsigmond 2 - Film Smuggle story. dcoumentary film of revoultion, secret meeting, three cine's were chosen(him, Kovacs and another) smuggle film to west. father worked in Moracco
Assemble #233	1451+06 1457+01	01:14:02:24 01:14:06:17	0005+12 00:00:03:23	0005+12	EH 77 0263-5343+15 5349+10	EH 77 0263-5342+15 5350+10	11:24:18:11 11:24:22:05			Zsigmond 2 - Film Smuggle story. dcoumentary film of revoultion, secret meeting, three cine's were chosen(him, Kovacs and another) smuggle film to west. father worked in Moracco
Assemble #235	1473+00 1528+00	01:14:17:06 01:14:53:26	0055+01 00:00:36:20	0055+01	EH 77 0263-5426+01 5481+01	EH 77 0263-5425+01 5482+01	11:25:13:04 11:25:49:24			Zsigmond 2
Assemble #288	2388+12 2406+08	01:24:27:21 01:24:39:16	0017+13 00:00:11:25	0017+13	EH 77 0263-5601+09 5619+05	EH 77 0263-5600+09 5620+05	11:27:10:04 11:27:21:29			Zsigmond 2
Assemble #346	4060+15 4091+03	01:43:02:15 01:43:22:20	0030+05 00:00:20:05	0030+05	EH 77 0263-6894+10 6924+14	EH 77 0263-6893+10 6925+14	11:52:17:21 11:52:37:26			Zsigmond 4
Assemble #451	6995+11 7008+07	02:15:39:00 02:15:47:15	0012+13 00:00:08:15	0012+13	EH 77 0264-3996+03 4008+15	EH 77 0264-3995+03 4009+15	15:26:22:15 15:26:31:00			Vincent 5 - tools and technology comment
Assemble #42	0445+08 0446+15	01:02:52:06 01:02:53:05	0001+08 00:00:00:29	0001+08	EH 77 0264-4488+07 4489+14	EH 77 0264-4487+07 4490+14	15:48:55:19 15:48:56:18			H Anderson Jr 1
Assemble #174	0887+04 0889+10	01:07:46:21 01:07:48:09	0002+07 00:00:01:18	0002+07	EH 77 0264-4636+02 4638+08	EH 77 0264-4635+02 4639+08	15:51:12:20 15:51:14:08			H Anderson Jr 2 - From LA? Born on 33rd st. lived in culver city between MGM and Thomas Ince Studio, right in the middle of the movie business
Assemble #145	0634+12 0636+04	01:04:58:11 01:04:59:11	0001+09 00:00:01:00	0001+09	EH 77 0264-4978+10 4980+02	EH 77 0264-4977+10 4981+02	15:04:36:19 15:04:37:19			Vincent 1
Assemble #190	1019+04 1022+06	01:09:14:21 01:09:16:24	0003+03 00:00:02:03	0003+03	EH 77 0264-4995+14 4999+00	EH 77 0264-4994+14 5000+00	15:04:48:04 15:04:50:06			Vincent 1 - How did you become a DP? Theater and lighting in college, came to LA as asst. editor for 4 years, then camera PA, 2nd AC, 1st AC, Operator, then DP
Assemble #247	1705+09 1710+02	01:16:52:07 01:16:55:09	0004+10 00:00:03:02	0004+10	EH 77 0264-5058+00 5062+09	EH 77 0264-5057+00 5063+09	15:05:29:16 15:05:32:18			Vincent 1 - How did you become a DP? Theater and lighting in college, came to LA as asst. editor for 4 years, then camera PA, 2nd AC, 1st AC, Operator, then DP
Assemble #94	0542+11 0544+09	01:03:57:00 01:03:58:07	0001+15 00:00:01:07	0001+15	K? 77 0256-4988+06 4990+04	K? 77 0256-4987+06 4991+04	11:30:34:11 11:30:35:19			Laskus 1
Assemble #281	2341+03 2343+06	01:23:56:00 01:23:57:14	0002+04 00:00:01:14	0002+04	K? 77 0256-5223+15 5226+02	K? 77 0256-5222+15 5227+02	11:33:33:24 11:33:35:08			Laskus 2 - Where does style come from? Slow evolution, starts with written word but also influences, art, images that you see on the street, experience looking at the world
Assemble #308	2912+01 2930+05	01:30:16:17 01:30:28:22	0018+05 00:00:12:05	0018+05	K? 77 0256-5246+07 5264+11	K? 77 0256-5245+07 5265+11	11:33:48:24 11:34:00:29			Laskus 2 - Where does style come from? Slow evolution, starts with written word but also influences, art, images that you see on the street, experience looking at the world
Assemble #129	0596+09 0597+13	01:04:32:27 01:04:33:22	0001+05 00:00:00:25	0001+05	K? 77 0256-6355+00 6356+04	K? 77 0256-6354+00 6357+04	12:02:18:14 12:02:19:09			Ryan 1
Assemble #193	1037+12 1040+02	01:09:27:01 01:09:28:19	0002+07 00:00:01:18	0002+07	K? 77 0256-6388+14 6391+04	K? 77 0256-6387+14 6392+04	12:02:41:02 12:02:42:19			Ryan 1 - How did you become a DP? Studies eng. in collge, ski raced for a few years, got interested in photography, ski mag. photog., worked for Warren Miller, docs, etc (MIC PROBLEM)
Assemble #448	6843+08 6856+03	02:13:57:16 02:14:06:00	0012+12 00:00:08:14	0012+12	K? 77 0258-5060+00 5072+11	K? 77 0258-5059+00 5073+11	10:42:46:14 10:42:54:28			Mankofsky 3 -Tech & Tech? Effects the look of film but direct correlation between budget and use of tools, Technocrane, Baloon lights, nice but 90% of films can't afford them
Assemble #101	0554+03 0556+02	01:04:04:20 01:04:05:29	0002+00 00:00:01:09	0002+00	K? 77 0258-5730+11 5732+10	K? 77 0258-5729+11 5733+10	11:04:00:14 11:04:01:23			Lindenlaub 1
Assemble #321	3249+03 3303+05	01:34:01:10 01:34:37:12	0054+03 00:00:36:02	0054+03	K? 77 0258-6162+06 6216+08	K? 77 0258-6161+06 6217+08	11:09:22:19 11:09:58:21			Lindenlaub 2 - Example of style for a picture? Evolves, helps if you've worked with the director before, meeting with prod. des. is very important, put photos on the wall of the hotel to remind him of the look****
Optical #5	0312+13 0318+07	00:00:00:00 00:00:03:00	0005+11 00:00:03:00	0005+11						support additional.03
Optical #1	0202+09 0205+15	00:00:08:06 00:00:10:00	0003+07 00:00:01:24	0003+07						KODAK on black for Avid.jpg
Optical #10	0404+01 0410+15	00:00:00:00 00:00:03:20	0006+15 00:00:03:20	0006+15						Jeff Laszlo.02
Optical #9	0388+01 0392+02	00:00:00:00 00:00:02:05	0004+02 00:00:02:05	0004+02						Matthew Blute.04
Optical #7	0348+09 0353+11	00:00:00:00 00:00:02:22	0005+03 00:00:02:22	0005+03						WP Johnston and Hoffman.03
Optical #4	0292+05 0297+15	00:00:00:00 00:00:03:00	0005+11 00:00:03:00	0005+11						T-STop.03
Optical #15	7518+05 7624+10	00:00:00:00 00:00:56:21	0106+06 00:00:56:21	0106+06						End Credits.05
Optical #8	0365+10 0370+13	00:00:00:00 00:00:02:23	0005+04 00:00:02:23	0005+04						Music by.07
Optical #3	0259+14 0267+05	00:00:00:00 00:00:03:29	0007+08 00:00:03:29	0007+08						Cinematography Style.02
Assemble #385	5288+13 5336+10	01:56:41:02 01:57:12:29	0047+14 00:00:31:27	0047+14			17:14:40:26 17:15:12:22			Toll 5 (NOT RECAPTURED FROM BETA)
Optical #13	7503+12 7510+11	00:00:00:00 00:00:03:21	0007+00 00:00:03:21	0007+00						End Credits.04
Optical #6	0330+13 0335+15	00:00:00:00 00:00:02:22	0005+03 00:00:02:22	0005+03						Volker Bahnemann.02
Optical #2	0213+06 0219+05	00:00:00:00 00:00:03:05	0006+00 00:00:03:05	0006+00						End Credits.07
Optical #16	7624+11 7728+10	00:00:00:00 00:00:55:13	0104+00 00:00:55:13	0104+00						End Credits.06
Optical #14	7510+12 7518+04	00:00:00:00 00:00:04:00	0007+09 00:00:04:00	0007+09						Avid Offline.03
Optical #1	0197+01 0200+04	00:00:05:08 00:00:06:29	0003+04 00:00:01:21	0003+04						ARRI_LOGO_BLUE_on_Black_for_Avid.jpg.new.01
Optical #1	0208+04 0211+10	00:00:11:07 00:00:13:01	0003+07 00:00:01:24	0003+07						Technicolor for Avid black bg.jpg
Optical #11	0430+05 0437+00	00:00:00:00 00:00:03:17	0006+12 00:00:03:17	0006+12						Jon Fauer ASC.03
Assemble #134	0603+11 0606+13	01:04:37:20 01:04:39:22	0003+03 00:00:02:02	0003+03	EH 04 7445-5875+12 5878+14	EH 04 7445-5874+12 5879+14	12:30:42:15 12:30:44:18	091232		Seresin 11 - Name only	119/
Assemble #181	0919+00 0921+11	01:08:07:26 01:08:09:20	0002+12 00:00:01:24	0002+12	EH 04 7445-6370+05 6373+00	EH 04 7445-6369+05 6374+00	12:36:12:06 12:36:14:00	091232		Seresin 11 - What do you want to do when you grow up? Own a vineyard, wonderful world, good balance to this, tolerant of other cultures, couldn't do one with out the other, film is the only career ever known,	119/
Assemble #444	6779+15 6792+03	02:13:15:05 02:13:23:10	0012+05 00:00:08:05	0012+05	EH 11 5165-6572+06 6584+10	EH 11 5165-6571+06 6585+10	12:27:34:04 12:27:42:09	091230		Seresin 9 - Cameras changed since Mid. Exp.? So much, used BL on that? Now switch eyepiece left to right, need to rack, gear is there, faster now too with all the pressures on all of us to do it faster,	118/
Assemble #344	3959+14 4002+08	01:41:55:04 01:42:23:16	0042+11 00:00:28:12	0042+11	KK 23 3632-1859+12 1902+06	KK 23 3632-1858+12 1903+06	05:32:58:24 05:33:27:06			Ballhaus 6 - Looking at Painting? Gangs of NY, Ma.Sub.01	C4/6
Assemble #45	0451+02 0452+15	01:02:55:29 01:02:57:05	0001+14 00:00:01:06	0001+14	KK 43 3599-0899+01 0900+14	KK 43 3599-0898+01 0901+14	05:18:26:11 05:18:27:18			C1/1- Ballhaus Interview	C1/1
Assemble #48	0455+09 0467+14	01:02:58:27 01:03:07:04	0012+06 00:00:08:07	0012+06	EH 75 5650-5459+01 5471+06	EH 75 5650-5458+01 5472+06	06:36:14:21 06:36:22:28		14	Beristain 1	203/1
Assemble #163	0793+11 0802+14	01:06:44:10 01:06:50:14	0009+04 00:00:06:04	0009+04	EH 75 5650-5486+00 5495+03	EH 75 5650-5485+00 5496+03	06:36:32:20 06:36:38:24		14	Beristain 1 - How did you become a DP? Coming from Mexico, going to Europe the only language to speak was the language of images, working his way to becoming DP	203/1
Assemble #296	2578+02 2609+06	01:26:33:29 01:26:54:24	0031+05 00:00:20:25	0031+05	EH 75 5650-5861+02 5892+06	EH 75 5650-5860+02 5893+06	06:40:42:23 06:41:03:18		14	Beristain 1 - Where does your inspiration come from? I follow schools of art, Dolores Claiborne was influenced by Magrit, but I'ld like to think I don't have a style. Some DPs are DP/Engineer, DP/Editors, I'm a DP writer, my lighting and camera become c	203/1
Assemble #440	6626+05 6671+10	02:11:32:22 02:12:02:29	0045+06 00:00:30:07	0045+06	EH 75 5650-6473+00 6518+05	EH 75 5650-6472+00 6519+05	06:47:24:00 06:47:54:06		15	Beristain 2 - What about DI? Had this technology for years in commercials, now it's available to features, and beacause you can get such good images with new films and lenses, this is what we can do to separate our images from others, like hand painting	203/2
Assemble #445	6792+04 6822+14	02:13:23:11 02:13:43:24	0030+11 00:00:20:13	0030+11	EH 75 5654-5036+10 5067+04	EH 75 5654-5035+10 5068+04	08:00:53:03 08:01:13:15		21	Pearl 2 - What do want to see at trade show? I go for new lighting, especially things that are lighter, easier, more and more budget aware, trying to bring shows in expeditiously***	207/2
Assemble #378	5035+03 5044+05	01:53:52:00 01:53:58:02	0009+03 00:00:06:02	0009+03	EH 75 5654-5465+12 5474+14	EH 75 5654-5464+12 5475+14	08:05:39:05 08:05:45:08		21	Pearl 2 - Story about orginal Texas Chainsaw Massacre, t2.8 zoom, do we have enough light, yes, that's what he named it, etc.***	207/2
Assemble #387	5359+06 5369+15	01:57:28:04 01:57:35:05	0010+10 00:00:07:01	0010+10	EH 75 5654-5508+05 5518+14	EH 75 5654-5507+05 5519+14	08:06:07:16 08:06:14:18		21	Pearl 2 - Story about orginal Texas Chainsaw Massacre, t2.8 zoom, do we have enough light, yes, that's what he named it, etc.***	207/2
Assemble #76	0506+04 0508+01	01:03:32:21 01:03:33:27	0001+14 00:00:01:06	0001+14	EH 75 5659-7271+08 7273+05	EH 75 5659-7270+08 7274+05	08:14:27:00 08:14:28:06		22	Goi 1	208/1
Assemble #203	1151+05 1159+12	01:10:42:22 01:10:48:11	0008+08 00:00:05:19	0008+08	EH 75 5659-7487+14 7496+05	EH 75 5659-7486+14 7497+05	08:16:51:08 08:16:56:26		22	Goi 1	208/1
Assemble #171	0880+11 0883+15	01:07:42:10 01:07:44:15	0003+05 00:00:02:05	0003+05	EH 75 5659-7543+08 7546+12	EH 75 5659-7542+08 7547+12	08:17:28:10 08:17:30:15		22	Goi 1 - What is your background? Grew up in Chicago, went to Columbia Col. Taught there for 3 years, worked on docs, and then commercials to pay the bills before coming to LA	208/1
Assemble #